Secret Recipes for the Modern Wife – Exposed!

secret-recipes-for-the-modern-wifeIn contrast to the many products inspired by or incorporating vintage & retro images of female domesticity that only really offer humor, Secret Recipes for the Modern Wife: All the Dishes You’ll Need to Make from the Day You Say “I Do” Until Death (or Divorce) Do You Part, by Nava Atlas, offers some wisdom with the chuckles.

It’s easy to take one look at this cookbook, flip through the pages and realize that most of the ingredients, like “1 economy-size can of everything you and your husband ever had in common, drained,” are not of the edible variety and so dismiss it as just another product cashing in on the retro style craze — but don’t! While it’s true, as the publisher claims, that Atlas “grills societal norms with gleeful relish,” it’s also true that this book offers recipes. But not just any recipes, but the secret kind…

Success recipes for love, marriage, parenting, divorce, reconciliation — survival.

Instead of offering only the too-true advice that heaping servings of humor are needed to survive marriage and children, there are excellent (sarcastic & snarky) reminders that good health includes a sound mind, free of self-delusion, self-denial, self-betrayal & self-sacrifice.

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Atlas states in the book’s acknowledgments & credits that Secret Recipes For The Modern Wife began as a personal project, “a small, limited edition artist’s book” using dark humor as a cathartic release for friends who were divorcing or otherwise suffering from marital malaise; but Trish Todd, Atlas’ editor, saw beyond the divorce theme and helped the author & artist shape the book into something more well-balanced. It even ends on a hopeful note with “Happily-Ever-After Ambrosia.”

Secret Recipes For The Modern Wife, with its recipes like “Beans ‘n’ Weenies of Sexual Tension” (below – click to read larger version), “Soufflé of Fallen Expectations,” and “Old Boyfriend Buffet” may not be suitable fare for the entire family — but keeping a copy of this book tucked away for a private & spontaneous flip-through will be good for the whole family. After all, what wife &/or mother doesn’t need a little stress relief? And hidden reading episodes are certainly preferable to a furtive nips of liquor in a closet.

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I Collect Bitch Like It’s A Good Thing

medicated-and-motivatedTaking a look at retro & vintage images of female domesticity (or the sales of such) is a fascinating part of my collecting.

For every bit of useful information (research help, household tips & recipes), there is the moment of shocking disgust that even though you already knew of its existence (or at least expected to find something like that there) results in the auditory combination of frontal forehead slap and an “arg!”

This sport has become quite popular, even among the non-collecting set, who have exploited the kitsch of yesteryear & reclaimed it in the names of feminism and/or capitalism, spawning a bajillion blogs and inspiring Anne Taintor, among others.

And we buy it by the barrel. From “Guess Where I’m Tattooed” emery boards to sticky notes; from blank journals & greeting cards to ID cases & compacts.

guess-where-im-tattooed

Derogatory statements & words (like the B-word, bitch) were often reclaimed by women, much like the N-word; only we women could use those words, label one another & our products with them.

could-you-be-a-bigger-bitch-gum

Obviously, sometimes, it was pure capitalism. Perhaps even with a pinch of misogyny — or at least irony — as it was men like Ed Polish & Darren Wotz who really capitalized on women’s mockery of their own history by selling them bold & defiant sayings juxtaposed with domesticated retro images of women.

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At some point whatever genuine interest there may have been in giving females a hearty last laugh at female history was perverted into a glut of raunchy retro styled products which twisted & sometimes down-right confused sexism with sexy. At first, it felt only natural to mock & rebel against the ridiculous notion of woman as virgin & then (married) mother — with never a thought to her own pleasure or desires.

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So, much like the B-word, we took over the S-word, co-opting it for our own use, putting “slut” on a slew of merchandise.

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Bur then we went too far, I think, including putting “slut” on clothing for kids. *gasp* (No, I won’t link to or promote any of that.)

slut-body-detergent Most of the retro rebelling merchandise has it’s only value in the humor, being poor product inside slick packaging, and they often don’t stick around long.

Products such as Bitch & Slut Body Detergents are no longer are around (hello, collectible!) — but in the specific case of the body detergents, the problem was with the icky gritty soap, not the packaging. (And it should be noted, in the interests of accuracy and equality, that Mabel’s LaundrOmat also served silly, dirty & derogatory soaps about men too.) However, it seems the company continues to make stereotypical sundries which may chafe & chap those without the ability to laugh at things such as Extra High Maintenance & Extra Dizzy Blond Lip Balm.

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Today, it’s difficult to enter a hip gift shop, bookstore, or boutique and not be bombarded with such humorous merch. A lot of it is funny. But some of it seems to actually be reinforcing the old myths & stereotypes. And many of the profits in the process of using humor to free women from the humiliating shackles of the past are lining the pockets of men, not women… Is that really liberating? Or funny?

I wonder about that stuff when I buy it for my collection. Because even while I may be “documenting history” (and modern items are both “today” and “history”), I don’t want to be buying the old party line when I buy my trinkets, you know?

Anyway, when you look at it all on the shelves, at a store or in a collector’s home, all this reclamation of womanhood says something… I’m just not sure what yet.
queen-bitch-to-you

Your Momma Wears Capri Pants

I was reminded the other day (details to follow) of Christopher Titus & his stand-up bit where he hates on Capri pants, saying that they are butt-widening, leg-stumpifying, pasty-white-cankle-showcasing monstrosities that are neither pants nor shorts. Who can argue? Few can face the bottom (or leg) line of Capri pants.

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But the point of Capri pants is not to make you hate yourself for not being able to mold yourself into the (physical) ideal of Hepburn (Audrey, not Kate; Kate eschewed skirts and wore tailored “men’s” pants and was far more shocking than fashion-trend-setting Audrey) — Capri pants were supposed to be liberating.

Frankly, the discernible characteristics between Capri pants and peddle pushers (and, sometimes, leggings & stirrup pants — hello, 1980’s!) are few and fuzzy. I’m not just talking about fabric pilling on the knit versions either. Strictly speaking, Carpi pants are supposed to be a tad shorter and looser than peddle pushers, but for the sake of this post I won’t split hairs, except to give credit where credit is due — and the credit for peddle pushers goes to designer Lynn Eccleston in the 1940’s. Eccleston experimented with shortening the legs of women’s slacks and the sporty look caught on with active women who, like those who abandoned their corsets in at the end of the 1800’s, wanted more ease in riding bicycles — thus the term “pedal pushers.”

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Some credit Mary Tyler Moore for making the pedal pusher and other pants fashionable; others prefer to cite Audrey Hepburn. Technically speaking, Audrey sported pants in the 50’s while Mary’s Laura Petrie didn’t hit small screens until the 60’s.

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But for our purposes of discussion today, it’s tomato tomato — not tomato tomatoe — because both babes had figures to carry off the slim look.

And this, my friends, is the reason for the, “Yer momma wears Capri pants” slur.

Most women wearing pedal pushers have stopped pushing pedals. If they continued the liberating exercise of exercising, they wouldn’t end up being the (wide) butts of Titus’ jokes. Even the middle-age spread would limit itself to some thickening of the torso, rather than the pear and apple shaped figures most now have. (And even liberal use of sunscreen wouldn’t keep us pasty-cankle bound.)

But, by & large, we’ve stopped pushing pedals; now we’re just large. And so maybe we should stop wearing peddle pushers and Capri pants. No, not even with the “over-sized” tees, sweaters, and tunics we think hide all the problem areas. (Notice where Mary Tyler Moore’s sweater sits; she doesn’t need to hide hips, belly or behind.)

mary-tyler-moore-wearing-pants

I don’t wear Capri pants or pedal pushers, but I know why other women do. Like Titus said, they are neither shorts nor pants, so they seem to provide the middle of the road not-too-formal, not-too-casual fashion needs for summer. And if we had more choices, like we did in the 70’s and 80’s for light-weight colored denim and cotton pants, maybe we’d feel less pressed to push ourselves into unflattering butt-widening, cankle-baring pants. (Back then you could find warm-weather friendly pants in shades of watermelon, sunny yellow, every shade of Caribbean azuree inspired blue… Far more then today’s white & navy.)

OK, and some women wear these shorter length pants to show off their shoes. (And yes, Titus is right, this does include cork wedges.)

But mostly Capri pants are worn for physical comfort; not to be posing like the pedal pushers we aren’t.

What started me thinking about all this was spotting a young man at an outdoor event last week. In a display of teenage fashion defiance, he was wearing all black — from head-to-toe in the sweltering high temperatures. Following the solid, if somewhat wash-faded, black line of t-shirt to canvas belt to jeans, I was jerked to a stop at the wide folded denim cuffs at his calf where a 4-6 inch wide white swatch of pasty mid-west skin glowed glared behind its decorative tufts of hair. From there, more black: black socks over the edge of comically huge black combat boots. Seriously, clown shoes are smaller.

Between the heat, the black clothing, & the weight of those shoes, he half-crawled to his seat where he tried to make it look like he was nonchalantly sprawling himself instead of, as he was, stumbling towards & falling to a seated rescue.

The only thing that kept me from bringing him some water to revive him was the knowing look his white Capri pants wearing, non-heatstroke affected mother and I shared. (And then I had to turn away and make a non-related animated conversation with hubby so that I could release my held laughter.)

My point is, if you missed it and insist that I have one, is this: He was a poser, hiding behind his costume.

If over-weight women are to be mocked for exposing their least flattering sides (physical attributes and the attitudes which created them), then I feel the need to point out the ridiculousness of faux poser cool melting in the sun.

So the next time you want to mock someone’s momma for wearing Capri pants, be sure you & yours are not equally guilty of some fashion posing; I assure you, your sacrifice of comfort (and health) is no more flattering and it is equally noticeable.

And while we’re talking about such things, let me say, “Get on your bike and ride it!” Whatever you’re wearing, you’ll look & feel better for it.

audrey-hepburn-in-capri-pants-on-bike

Whatjamacallit Wednesday: All About Long Faces

Today’s whatchamacallit is a vintage advertising trade card from Long’s Radiator Shop in Grand Forks, North Dakota. This card advertised the local shop as well as their “exclusive agency” for S. J. Radiators (with) Freeze-Proof Cores — something quite valuable up here in the frozen tundra. Because the smart folks at Long’s Radiator Shop knew that a bit of humor would make folks hold onto the card a lot longer than some sales-y pitch, the card has one center illustration of a man which, when tipped, communicates different moods based on his selection of radiator repair shops.

The first, “I Am Mighty Sorry I Did Not Have My Radiator Fixed At Long’s Radiator Shop,” give him a “long face.”

vintage-longs-radiator-card

Flipping the 4 inch card, and he gets “the Long’s Face” instead; “I Am Mighty Glad I Had My Radiator Fixed At Long’s Radiator Shop”

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David Carradine’s Death In My Husband’s Newsfeeds, It’s Not Just For Breakfast Anymore

Hubby was reading to me from his newsfeeds about the latest news on David Carradine’s death, saying, “Rumours Carradine died attempting auto-erotic asphyxiation–”

I interrupt with a righteous, “Go old guy!”

Hubby, ignoring me (as most interrupted husbands are wont to do), continued to read, “– where victims achieve heightened sexual pleasure by restricting their air supply – are backed up by a quote a Bangkok police officer gave to British newspaper The Sun… urm.”

My response? “Well anyone who talks to The Sun can be trusted; it says so in the Bible.”

“Oh!” Pause. “Oh, no…”

“What?” I ask.

“Well, this one says, ‘Did David Carradine die as the result of a sex game? (with photo gallery)’ — but I don’t think it’s that sort of gallery.”

“That would be creepy-cool. Like, ‘Here’s Carradine getting blue…bluer… bluer yet…'”

This is when hubby has to make a choice: laugh at/with me, or leave the room. He laughs.

And I know it’s grim & rude to laugh at all of this; but remember, we aren’t laughing at Carradine’s death — we’re laughing at the coverage of it.

And it’s not like any of us didn’t already make the jokes about Carradine dying from Pai Mei’s Five-Point Palm Exploding Heart Technique.

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The Smartest Woman On The Bailout

My dad sent me this:

smartest-woman-on-the-bailout“BAIL EM OUT!!!!????

Hell, back in 1990, the Government seized the Mustang Ranch brothel in Nevada for tax evasion and, as required by law, tried to run it. They failed and it closed. Now we are trusting the economy of our country and our banking system to the same nit-wits who couldn’t make money running a whore house and selling whiskey!”

I knew it was going to be pretty funny when it was an email forward thingy from my dad.

To my knowledge, my dad’s only forwarded 3 other email jokes in the entire history of his internet use (those were also funny — and dripping with “I hate George W. Bush” juice), so he doesn’t exactly stuff my email with unwanted junk.

Are You Having A Party?

From the November 19, 1953 issue of The Tatler & Bystander (the weekly from Illustrated Newspapers, LTD., London; not the “News & Gossip About Books” Tatler put out by The Putnam Book Store, New York), a three-page illustrated sketch by Alex Graham with humorous party tips for your Christmas party.

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Cop And Robbers

The host suddenly dials 999 and announces that “some joker has snitched his watch.” Anyone who refuses to be searched is called the “thief,” and is “arrested on suspicion” by the police when they arrive. A prize is given for the best solution as to how the “robbery” was effected.

This is a very good game with which to end a successful party…

This is “Pass The Pencil”…

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Hunt The Hooch

This is one the boys can play while the ladies are taking off their coats. The host announces he has “lost” a bottle of whisky and the guests are a ‘search party.” The whisky is found in some not-too-difficult place (on the sideboard, for instance) and each member of the “search party” is given a small prize.

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Just when you think you understand British humor, then there’s this game, which is a serious game here in the US — it’s even standard at showers, isn’t it?

Can It Be Ethel’s Garter?

Collect a number of small assorted objects (e.g. tap-washer, sprocket-wheel retaining pin, cast-off dentures, rabbit’s skull, bicycle lamp-holder, etc.) and place each in a paper bag. The bags are then passed round, and players have to identify the objects by touch alone.

Small prizes (e.g. tap-washer, sprocket-wheel retaining pin, cast-off dentures, etc.) for fullest correct lists.

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“Who’s Got The Towel?”

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And my personal favorite…

Where’s Young Simonds And Our Effie?

Two of the youngest guests — a boy and a girl — leave the room, and after half an hour or so, the remainder of the party go to search for them.

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Republicans Suffer From Dementia & Can’t Understand Satire

In celebration of what is looking more & more like (knock wood) Al Franken’s seat filling the Senate seat and the recent publication of Ohio State University’s study on satire (The Irony of Satire: Political Ideology and the Motivation to See What You Want to See in The Colbert Report, April edition of the International Journal of Press/Politics), I’m reposting something I wrote 11 months ago… Because, as you’ll see, it’s more ironic to reread this than to rewrite it.

First republicans were actually using comedian Steven Colbert’s satirical works to push their agendas, and now ABC reports that the Minnesota Republican Party’s released a letter, signed by a whopping six GOP women, attacking comedian Al Franken who was then running for United States Senate in Minnesota:

Eight years ago, Franken penned a column for Playboy called “Porn-O-Rama!” in which the former Saturday Night Live comedian wrote about visiting a made-up sex institute where he takes part in sexual acts with humans and machines.

“While you may attempt to defend your writing as satire, we hardly find anything defensible about your finding humor in your desire to have sex with women or robots that look like women simply to give yourself a good time,” the Minnesota GOP women wrote in the letter. “This column is at its worst, an extreme example of the kind of disrespect for the role of women in society that all of us have fought our entire lives. At best, it is the disrespectful writings of a nearly 50-year-old man who seems to think that women’s bodies are the domain of a man who just wants to have a good time.”

“Denounce this article and apologize immediately,” read the letter.

Sheesh. And they say feminists have no sense of humor…

Perhaps too many republicans suffer from frontotemporal dementia and therefore cannot process sarcasm. (It’s funny because it’s true.)

Meanwhile, for those suffering from a poor sense of humor, an dementia-induced inability to recognize sarcasm, or a fundamental ignorance of humor ~ including satire ~ and its historical use as social protest, the Franken camp’s response (via ABC) should help clarify things a bit:

The Franken campaign said the Playboy column was written as a satire.

“Al had a long career as a satirist,” said Jess McIntosh of the Franken campaign. “But he understands the difference between what you say as a satirist and what you do as a senator. And as a senator, Norm Coleman has disrespected the people of Minnesota by putting the Exxons and Halliburtons ahead of working families. And there’s nothing funny about that.”

You don’t have to be an Al Franken fan (though I am) to love the “he understands the difference between what you say as a satirist and what you do as a senator”.

sarcasmbrainMaybe a little remedial reading, via the links here, would help those six GOP ladies… Or lobotomies. Hey, Dr. Katherine P. Rankin, do they do parahippocampal gyrus lobotomies for the sarcasm impaired?

Related: In the New York Times article on sarcasm, Dr. Rankin is quoted as saying, “I bet Jon Stewart has a huge right frontal lobe; that’s where the sense of humor is detected on M.R.I.”

And now you know how to spot all the smart funny people (who are happy to see you). Bet there are few bulging lobes in today’s republican party.

Then again, they are rarely happy to see me.

What Better Way Than Humor, Indeed

NOW, the National Organization for Women, is celebrating Equal Pay Day, Tuesday April 28, with a cartoon caption contest:

We need to increase recognition that the wage gap is a problem for women and families, and what better way than humor? Enter NOW’s Equal Pay Cartoon Contest and help us spread the word about pay equity.

It sounds like a good idea to raise awareness about the wage gap for women — and to put to rest the horrid myth that feminists have no sense of humor. Two birds with one stone, right?

But then the cartoon we’re supposed to caption is this one:

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What on earth is funny about that? It’s not even especially charming or quirky.

Thanks, NOW, for helping to perpetuate the myth that we feminists have no sense of humor, even when we run humor caption contests.

Naughty Secretaries Vs. Bosses Gone Bad

The myth of the naughty secretary was created & used to perpetuate fears among Victorian housewives, who, as the arbitrators and guardians of morality, were thought to be able to dictate who took dictation via two paths.

One path was the ability to hen peck their husbands’ hiring practices, and therefore not have female applicants get picked for the jobs. (Often women would suggest male candidates, as they needed to support families — or have enough income to get married.)

The other path was to pressure their ‘sisters’ into conforming to womanly virtue. Like their Chinese counterparts, women would bind their sisters’ economic feet — only through lecture, condemnation, and societal pursuit. But women would be hobbled just the same — and, as males preferred, the women would direct their anger and blame at the feet of their sisters. (Like foot binding, this female-on-female action would only further divide the sisterhood of women, fracturing bonds of trust and creating suspicion among women — which only added to resistance of the messages & mantras of moralistic matrons as well as causing the matrons to believe that women who wanted or needed to work were of poor virtue, ready & willing to debase men and even steal husbands.)

Case-by-case analysis of individual hen pecked husbands & women worried into conformity aside, the plan not only failed (as evidenced by more women continuing to enter the work force for years to come), but backfired into male & female belief that women who did seek employment outside of hearth & home were of poor virtue and suitable not only for dictation but dick-takin’.

Of course, the sexually harassed and abused women found little-to-no comfort or assistance regarding their complains in the arms of their sisters; for in their eyes the secretaries were seen as having it coming (if not the perpetrators of sin themselves, seducing men into indiscriminate behaviors).

Insert jokes about naughty secretaries (and naughty maids), such as these vintage French mechanical cards below, which carried the same weight and purpose in the 1950s atomic age as they did in Victorian times. After all, the concerns were the same.

Cross-Eyed Ape Joke Still Works After All These Years

I paid 50 cents for this fragile old piece of paper mocking a woman for the way she dresses. (At first glance, I was certain it was mocking the man; but the ape proffers a red dress with white hearts.) I’m not sure why I had to have it; but I did.

when you walk by
people GAPE
who picks your clothes
a CROSS-EYED APE?

It’s funny, in that simple childlike rhyming playground mockery sort of a way.  And I just love the illustration.  Certainly someone saved it all these years — charmed by it for all the reasons I am.  But I have no idea what this fragile piece of old paper is supposed to be…

Was it a page in a book?  While there’s no printing on the reverse, it’s possible; sometimes illustrations (especially those with color) had single pages to themselves (these are called “plates”).

If it comes from a book, what was the book about?  Just a silly joke book?  Or was it a silly page illustrating one point in the text?

Were there more pages like this?

Did the original owner find the page loose and save it?  Or did they tear it out themselves?

Or maybe it’s not from a book at all.  Only the right edge of the paper seems to be without nibbles, cuts and other imperfections — suggesting this is not the original size.  Maybe it was an advertising or promotional piece… Some sort of flyer, an advertising circular, whose product &/or company name have been cut away by an original owner who liked the joke &/or illustration.

Then again, there’s all those hearts… Was this some sort of Valentine’s Day themed thing?

Since there is nothing else on the paper to identify it, no artist credit, date or other copyright or publishing credit, I may never know what this paper was originally intended to do or where it comes from.  But, like the heavy crease lines from folding which have begun to tear, it doesn’t decrease the value to me.  Not just the 50 cents I paid or even the thrill of research to figure it all out (I am geeky like that), but the fun of looking at it.  The joke still works, after all these years.