Whatjamacallit Wednesday: Waste (Can) Not, Want (Can) Not?

In response to my Gadabout post (about a vintage composition dog), Laura (of Doodle Week) said, “I really like how you know all this stuff about old things and how they were made. But how do you manage to keep all these collections without running out of room for yourself?”

Well, Laura, here’s the painful truth: Occasionally I sell stuff.

I don’t like to do it — it does actually pain me. But sometimes, in the continual space battles that collectors face (both living space and the empty space in your wallet — spaces you & your spouse must agree on!), selling items is the proverbial poo that happens.

In this case, hubby (shown here miserable that I’m not only buying another one, but that he’s forced to carry it lol) was right that I had no more room for using another wastebasket…

forced-to-carry-scotty-trash-can

So I’m selling this retro metal waste can with a huge, adorable, Scottie dog on it — despite my deep affection for vintage metal waste cans.

I console myself not only with 11 more inches of space and the extra bills in my wallet, but by imagining the thrill such a find will be for the new owner — who will melt every time they see those warm brown eyes, that black plastic nose, and that red felt tongue.

retro-kitsch-trash-can-huge-scottie-applique

Cheap Thrills Thursday: Discarded Stockings Go To War & End Up At The Hingham Shipyard

stockings-go-to-warAwhile ago, folks working on The Launch at the historic Hingham Shipyard, contacted me about one of my pieces of ephemera, a page from Modern Woman Magazine (Volume 12, Number 2, 1943) with the article “How Your Discarded Stockings Go To War.”

They wondered about using the image in the series of panels which would be placed along pedestrian walkways, creating a walking tour educating people about and commemorating the history of the shipyard’s role in World War II. In case you don’t know, the Hingham Shipyard was one of the largest shipbuilding centers in the entire country, where over 2500 women worked, putting out over six ships each month.

Long story short, I’ve finally got photos of my contribution to the Hingham Shipyard Historical Exhibit, included on the ‘Home Front Sacrifices’ panel (the one with the children & Victory Garden veggies).

hingham-shipyard-historical-exhibit

panels-at-hingham-shipyard-launch

closeup-of-home-front-sacrifices-panel

History Is Ephemeral, Issue #7

Welcome to edition number seven of the History Is Ephemeral Carnival, where ephemera lovers share the history behind their obsessions.

If you’ve got posts about old paper and other ephemera, please submit them for next month’s carnival via the carnival’s submission form!

As Pop Tart I present “the meek do not inherit the earth — or at least that part of it presided over by the American political system” posted at Purple Pud Muddle. (Some scary facts about activism!)

Derek talks about his collection of Folk Art Postage Stamps (1977-1980) and WWII stamps at Collectors’ Quest. (You don’t have to beat ’em to lick ’em!)

At Here’s Looking Like You, Kid, Jaynie goes in search of Dorothy Gray’s Cherry Bounce. (She’s still looking for some help!)

Shawnee presents Living With Extended Family: The Ultimate Mother-In-Law Nightmare, Or A Gift? posted at Purple Pud Muddle. (Can we learn from the past — in this economy?)

At Collectors’ Quest, both and Collin and Derek dish about exonumia, with My Summer In Exonumia and Adventures In Exonumia, respectively. (First I didn’t know what exonumia was, then there’s multiple posts about it!)

Cliff shows us 1939 Rothmans Beauties of Cinema Tobacco Cards over at his movie collectibles blog at Things-And-Other-Stuff. (Pretty, pretty!)

Also at Here’s Looking Like You, Kid, Jaynie looks at a few past predictions: The Death of “New Look” Fashions & Other Fashion Predictions from 1950 and Film Options Are Like Predictions: Made, But Not Always Fruitful. (Hindsight sure helps with predictions!)

Here at Kitsch Slapped, I work hard to find out what this 1970 photo is about. (I could use some additional info, if you’ve got it.)

Honorable Mention:

My Collectors Quest post about managing a collection.

That’s the end of this month’s edition of the History Is Ephemeral blog carnival; please submit your posts for next month’s carnival via the carnival’s submission form!

Sign Of The Times: A Fishy Ephemera Hunt

I confess, I kill a lot of time just looking at the old snapshots and vintage photos at eBay. Sometimes I buy them, sometimes they inspire odd comments and random captions, and sometimes I become obsessive about them. This post is about a vintage photo I’ve become obsessed over:

ruth-lee-rally

All the seller (Darrins-Photoclique) says of the photo is, “Vintage Photo Ruth Lee Speaking at Rally Protest” and that the photo’s size is 3.5 x 5 inches; but I have no idea who the pretty blonde Ruth Lee is… And Google, searching for that name and with variations on “activist,” “rally,” “protest,” is of no help either. So I take a good look at the signs in the photo.

I can’t make them all out; only “Fish before people right???” is absolutely clear. But I try searches for “Ruth Lee” and “human rights” — with no success. I even try searching her name with the word “fish.” (Don’t laugh; if you ever become obsessed and desperate, I wouldn’t laugh at you — with you, sure. But not at you.)

So I try to make out that nearly-white sign above the sign with the argumentative fish question. Looks like “Bring Back Simas.” So I try that. Nothing shows up with her name, but I try “Simas” alone — too many results. So I try that name with “protest,” and low and behold I discover the story of Simas Kudirka, a Lithuanian sailor who tried to defect to the USA on November 23, 1970. (That date fits the fashions in the photo far better than the seller’s ‘Pre-1950’ categorization too.)

Being only 6 years old myself at the time, I knew nothing of this. Thankfully, Martha’s Vineyard Magazine (2005) has a fine retrospective the newsworthy events and CapeCodToday (2007) covers the interesting historical connections and political ramifications — each worthy of reading.

The short story is this: The 40-year-old persecuted Simas Kudirka, a radio operator on a Soviet fish processing vessel, leaps onto the deck of a Coast Guard cutter. The vessels were moored closely together, about one mile off Martha’s Vineyard, as folks were there for a day-long fishing conference attended by American and Soviet officials. Kudirka announces that he wishes to defect, but the Coast Guard, unsure what to do, goes up the chain of command until they are told by Ed Killham, the Soviet specialist, that they could fish a defector from the water — but he fails to add that they should keep him afterward. So when the Soviets forcibly come to get Kudirka, the Coast Guard lets him go. Bound and beaten, Kudirka is dragged back to his own ship, and the Americans are told Kudirka, if not already dead, will be so soon. The nation explodes in outrage, with plenty of press coverage and rallies — this is presumably where our photo comes in — and there are a number of international political issues as a result (Cold War and all).

You’ll have to read the links to find out whatever became of Simas Kudirka; but I will tell you that in 1978 there was a made for television movie made about the incident, The Defection of Simas Kudirka, though there’s currently no home release of the film. Something J.B. Spins laments — and while I may not agree with his views on Russia’s plans, I think it’s important to remember stories like this too:

These stories are important to study. They are not distant skirmishes from the War of 1812, but critical events of the defining conflict of most of our lifetimes.

I have my perusing of vintage photos to thank for the history lesson. However, I still have no friggin’ clue who Ruth Lee is, or even where this photo was taken. If you have any information, please share it!

Weekly Geeks: Organization & Inspiration

This week’s Weekly Geek is “Tools Of The Trade”:

Book blogging, as a concept, is essentially pretty simple: If you have Internet access and an opinion about a book, you can be a book blogger. However, actually maintaining a book blog is much more complicated — our blogs are labors of love that require a lot of time, energy and devotion. For this edition of Weekly Geeks, I want to focus on the little things that make your blogging and/or reading life a bit easier. …Tell us about what makes your blog tick. Is there something specific that keeps you organized or inspired?

weekly-geeks-book-pileHowever the answers they seek — at least from me — are far less about physical or digital assistance; I need mental help *wink*

On one hand, my deviation here might stem from the fact that I do not describe myself as a “book blogger.” As a reader, bibliophile, accumulator, collector, researcher, I have many reasons to read books; as a person suffering from logorrhea, I naturally talk about what I read — and how what I read fits into or connects with my life, collections, work, other reading, etc. Anywhere I write/blog, no matter the subject, books and other publications pop into the conversations, even though I’ve never been dubbed “the book blogger” or had my column called “about books.”

On the other hand, it seems I’m always slightly tilting meme questions… So here goes more of the same.

Remaining organized and inspired as a reader who writes about books involves, for me, the very same challenges as it did before I was stuffing the tubes of the internet with words about books.

My organization, of which I admit a general lack of, still depends upon the traditional use of stacks. Not only the stacks of “to be read” books, which I think all readers have to some degree of toppling nature; but stacks of “to be blogged about.” I keep at least two stacks which assist my blogging progress.

One right at my desk, so that I cannot over look them (try as I might) because they will soon slide onto my keyboard.

desk-stack-of-to-be-reviewed

Another, primarily library books so that they do not get lost in the milieu, usual sits near the sofa for reading; their very public placement is a reminder to read (and, typically required, renew) them before I accrue fines. (When it’s time to review a few, the whole stack is then moved to sit precariously atop of my pc’s case.)

stack-of-library-reading

Remaining inspired is not typically a problem; I am the sort of person who easily becomes obsessed — with the reading of, talking about, and further researching about what I’ve read. But what I and my blogging suffer from are what I call inertia issues

Bouts of reading do not wish to be interrupted by reviewing; bouts of reviewing do not like to be hampered by not having read anything new; bouts of research/reading in one area ignores others. These things, of which time and personality are both critical factors, can make for series of posts that skew my blogging heavily. Which is to say that new visitors to my blog who happen by during a period in which I’m heavily into one activity or interest — and by virtue of not sharing that interest — may leave quickly, not seeing their more shared interests lay, like layers of an onion, deeper within.

I do try to remember these possibilities and address them.

Using blog carnivals (such as — shameless plugs — the Book Reviews Blog carnival which I’m hosting on the 25th and the New Vintage Reviews carnival, which includes books, that I host monthly), helps remind me. Submission due dates are reminders that post must be written.

But primarily I keep an eye on my stacks. And they on me. The growth of all of my stacks — through their tumbling acts — nags. This creates a balance at the blog which does really exist within myself or my habits.

As my “to be reviewed” stack slips precariously towards my keystroking fingers, I try to avoid being annoyed at the disruption and take it as a cue that I’m more than a little behind in my reviewing. As the family sighs at having to operate around my stack of library books, I try not to let that upset the reader in me who wishes for more time to read, but acknowledge that, yes, I am a more than a little behind in my reading.

I’m always a little behind in my reading.

marilyn-monroe-behind-reading

History Is Ephemeral Carnival, 6th Edition (A Thursday Thirteen Edition)

Welcome to edition number six of the History Is Ephemeral Carnival, where ephemera lovers share the history behind their obsessions.

(If you’ve got posts about old paper and other ephemera, please submit them for next month’s carnival via the carnival’s submission form!)

Because there are 13 links in this edition, this post is also a Thursday Thirteen!

#1 History Cellar shares a Boston Restaurant Dinner Menu from the 1860’s over at The History Cellar. Can you afford the Potted Pigeon?

#2 Derek talks Irish Republic Bonds (from the 1860s – 1880s) at Collectors’ Quest. Do you know what they have to do with one of the earliest attempts to build combat submarines and plans to take over Canada and hold it for ransom?

#3 Yours truly has one of her antique postcards displayed in a museum; the story is posted here at Kitsch Slapped. (It’s so thrilling!)

#4 Jianfeng presents images which remind him of his grandfather in China’s Civil War in The Big Retreat in 1949 and My Grandfather posted at Jianfeng’s Blog. I think it shows how the details of individual stories somehow make things universal.

#5 Collin talks about The Brush Project at Collectors’ Quest. I never thought about it before, but artist brushes certainly are ephemeral.

#6 Yours truly interviews Troy Pedersen, owner of a real world vintage magazine store — in my neighborhood! Aren’t you jealous!

#7 Cliff, with the help of John Gingles of JG Collectibles, gives us A Peek at a Rare Harry Houdini Signed Photograph at Vintage Meld. Included is a tip on how to preserve and display such unique items.

#8 Frank reflects on This is Ephemera: Collecting Printed Throwaways, by Maurice Rickard at his blog, Antiquarian Holographica. Find out why Frank recommends the book and appreciates it for what others might call its short-comings.

#9 Val Ubell dishes about Silent Star Lucille Ricksen from an article in a 1925 issue of Jim Jam Jems over at Collectors’ Quest. I collect Jim Jam Jems myself, but don’t yet have that issue — so now I’m even more hot on the issue’s trail.

#10 Yours truly will be a presenter at the first Bookmark Collectors Virtual Convention. More details to follow at the official convention’s website; subscribe for updates!

#11 History Cellar shows us the Record of football deaths and injuries in 1900 at The History Cellar. Are things better or worse in the sport now?

#12 Yours truly finds out that her laminated in-flight instruction card for TWA’s Convair 880 jet holds a place in aviation disaster history, at Collectors’ Quest. Maybe you have items to help with the memorial?

#13 And if you’re not too sick of me &/or ephemera already, I’ve been interviewed on The Ephemera Show! Check out the podcast here.

While you’re here, let me also remind you that today’s the final day to submit for this month’s New Vintage Reviews Carnival — and, I’m hosting the next Book Review Blog Carnival. Please submit your posts!

Grandma Was A Swinger: Estate Sales & The Ephemera Of Women’s Lives

I have a habit of making stories from nearly anything. I see a person on the street, I give him or her a name, an occupation, a mood, a spouse or other family member, and a mission. In line at the grocery story, I love to watch what people are buying. A lovely, or hysterical, little vignette emerges. (One time, it was a man at 12:30 at night purchasing a huge bottle of vodka, kitty litter, and a Cornish game hen. The vodka bottle was nearly the size of the kitty litter canister. I had to keep myself from advising him not to sit down with the bottle until after he fed the cat — even if the hen was for the cat, sooner or later, a hungry cat will eat a passed out human.) Anywhoooo…

Visiting estate sales allows me to see more than things to buy; I see a life. A few objects create a sketch, a few more inks it in, and then my mind paints in all the rest. I can’t help myself. And I believe it’s not just more exercises for my imagination; I learn a lot this way.

At a recent estate sale, I discovered the recently deceased woman had been a bookkeeper, extremely active at the nearby church, and an excellent bowler. But there was more. I was lucky enough to find (and purchase) a few raunchy old pulps and a paperback on open marriages — extra bonus material included a bookmark at the chapter on renewing the contract, and a few Polaroids of the woman in her 1950’s wearing office attire in pinup poses. In order to not let her sons (who were running this estate sale) learn things they may have lived this long without knowing, I bought a whole bunch of stuff so that they’d be too busy tallying my bill to really see my items and do the math on their mom’s life.

Working at another estate, where ‘Grannie’ was moving to an assisted care facility, there was a lot of clutter. For practical reasons, it seems. Hidden in plastic waste cans, desk drawers, floor cubby-holes, were half-full (or half-empty, for you pessimists) bottles of booze. Mostly cheap sherry & brandy. So cheap was this hooch, I’d imagine you couldn’t tell one ‘flavor’ from the other — or from rubbing alcohol for that matter. Now we knew more about where ‘Grannie’ was moving and why. We just disposed of the bottles as we found them, without a comment, so as not to embarrass the family. We also found an overwhelming number of unfinished sewing and needlework projects; idol hands really might be the devil’s workshop.

I have been to more estate sales than I can count where the now-deceased elderly woman had been to art class in her younger years. Yes, she studied figure drawing — nude figure drawing. If I am lucky, I get to buy the portfolio. Often, I am not so lucky; but I do get to at least leaf through them. I do think ladies today ought to be educated thus. It’s something we, as a culture, should not have stepped away from.

This all gets me to thinking… Upon my death, at my estate sale, people will draw conclusions about me. Folks may think I took a nude figure drawing class — at least until they read the various names and dates on the drawings. They might think I had an open marriage. Lots of folks will think, due to my huge collection of pinups and vintage erotica, that I was a lesbian; people do it now.  Perhaps I should leave notes.

But women do leave notes. In fact, they document their whole lives. Especially those women who were wives and mothers. There’s a certain pattern to a mom’s life, and in these homes of women who have passed on, you see the evidence of it.

There are the piles of scrapbooks, letters, photos, and correspondence of intimate connections. The trail begins with cards, notes, and photos with written clues to romance. Perhaps there are diaries. Soon there are stacks of ‘baby books’, family photo albums, depositories of greeting cards, postcards, letters and other clues of a new family and social attachments. (As the family grows, whatever personal diaries there were may now cease; she is too busy caring for her family to document and journal her own life in a diary.)

As the children get older, these scrapbooks turn into group things. Work newsletters, bowling league gazettes, church group & luncheon publications… She continues her habits of saving and, if lucky, pasting. As the children age, she becomes an empty-nester, and the social group activities are intermittently interrupted with family wedding invitations, announcements of new born babies, thank-you-for-the-gift cards, and a few obituaries here and there. Some of the wealthier women traveled, and you’ll find volumes full of travel itineraries, plane & boat tickets, postcards, photographs and other travel souvenirs. But just as the books became less and less about family, so the books eventually become less and less about the living.

Too soon the scrapbooks become filled with page after page of obituaries, memorial service bulletins, the occasional thank you card from the younger generation for the flowers… Even if the obits are punctuated with the occasional wedding and birth announcement clippings, there are no cards, or handwritten notes, just newspaper clippings. Proof that human interaction is limited, the only handwriting now is the feathery-script of the woman making the book; a single script places the dates below the clippings. The scrapbook is a one-woman — one-way — endeavor. She continues to chronicle the past rather than the now. To fill her day as well as the books, she includes newspaper articles on ‘Remember When’ and ’50 Years Ago Today’ stories. These clippings dot the obits with more socially-sterile tanned documents of death and loss…

There you stand, holding these books, this evidence of life which was cut, pasted and collected by this woman who has passed on. In some cases, all you find are the drawers and boxes of intentions — loose papers that had patiently out-lasted their acidic attacks to survive the great “some day” when they would be placed into books to tell their stories; their brittleness a testimony to the bitterness of time that ran out.

Yet, when you bring the stacks of lovingly made books &/or old saved ephemera to the living, they say “Go ahead and sell it. Or pitch it if it’s not worth anything; I don’t want it.”

I cringe when they say that.

But I do as I am told, praying that someone will come along and adopt these books and boxes of ephemera, in some fashion adopting these women & their families — if they are willing to see the dead-paper forest for the trees of individual auction-priced items.

But sometimes, it’s what you don’t find which illuminates the most about lives.

Once I was working with my mom at an estate sale. We were clearing out the master bedroom when she opened the nightstand drawer and squealed so loud that I quickly turned from the closet to look. My mother stood clutching an item in her hand, her face was flushed and her eyes begged for help. “I shouldn’t have picked it up,” she said. I came over, removed the item from her hand, and discovering one of those small clothing shavers (the kind that you use to remove pills on your sweaters etc) I said “What’s the matter with a sweater shaver?” My mother sighed, her shoulders relaxed and she said “Oh, I thought it was a… well, you know…” My mother had thought it was a vibrator.

This, of all the finds over the years, has me thinking the most: Why haven’t I ever found vibrators at estate sales?

You might be quick to say that the families had already cleared the home of such things, out of a sense of propriety perhaps. But I’ve cleaned too many nightstands, bathrooms, closets, and under too many beds. I’ve found too many family skeletons, dark secrets, and old people diapers to believe this is the reason.

I’ve found all the ephemera documenting the most intimate parts of their lives, including their love lives. What’s more, I’ve found evidence of their sex lives — be it the old letters, pulp novels, erotic works, or ‘just’ their offspring. But never a sex toy.

I find it hard to believe that loneliness, drinking, sewing, bowling, church activities, and cut & pasting from the newspaper replaces the need for sexual gratification. It doesn’t work now, at the age of 45, so why would it be enough at 92?

Do families worry more about ridding mom or grandma’s home of her pocket rocket more than they do adult publications or evidence of other bodily functions? Could it be these women really have no sex drives? Or, even though vibes and sex toys have been around for ages, were these women unaware they existed — or without means to get themselves one? Or is there some other reason I do not find vibrators when preparing for estate sales?

Brown-Baggin’ It With An Anthology Based On Found Ephemera

requiem-for-a-paper-bag-found-anthologyRequiem for a Paper Bag: Celebrities and Civilians Tell Stories of the Best Lost, Tossed, and Found Items from Around the World is a Found Anthology put together by Davy Rothbart, creator of Found Magazine. In this collection, Rothbart gave his famous hipster (I say hipster, because when a book begins with multiple references to both ramen noodles and found porn, what else can you say?) friends an assignment: Share a personal story about something fascinating that you yourself have found, or write a piece of fiction sparked by a particular find.

The resulting works are a feast for anyone who has found something and pondered the meaning or occasion of it — and yes, I mean anyone. Because you don’t have to be an ephemera collector to have found a found scrap of paper, a photograph stuck in a book, some trinket and have either wondered or even made up a story about it yourself. (And if you say you haven’t done it, I’m calling you a dirty rotten liar!)

Like any well-done anthology, each of the of 67 pieces submitted by the celebri-hipsters is, ramen noodles and porn aside, a unique little gem.

Seth Rogen’s Wet & Wild may not have been shocking to me (I’ve got my own experiences with found porn; and who would be surprised Rogen would have a connection to porn?) but, like Steve Almond’s No Panties Allowed, the narrative adds to our collective illumination into the discomforts on the way to personal discoveries about sexuality.

Byron Case’s Trash Night reads so much like a memory of my own that even though I’ve never been lucky enough to make trash picking more than an annual event, I found myself nodding and laughing conspiratorially.

requiem-for-a-paper-bag-pageSarah Vowell’s What Else I Know About U.S. History (a written response to a scrap of note paper found by Rona Miller of South Bend, Indiana) is so very Vowell in voice, that I can hear the emo as if she’s speaking the piece — and yes, that’s a fabulous thing.

And while Bich Minh Nguyen’s quote probably remains the most poetic, it’s Heidi Julavits’ Woodstove Girl which is the most haunting for me… It lingers… I wish I knew if it was real or a fiction piece.

Overall Requiem is a tasty dish, suitable for deouring in one leisurely buffet-style meal or for savoring in snatched snack-sized portions ala carte.

Romancing The Van: Ephemera Proves There’s Someone For Everyone

Two years ago, hubby and went to the junk yard to get replacement doors for our van, Ookla. I was utterly fascinated with the junk yard itself and was almost disappointed when we found the right doors — but the adventure wasn’t quite over yet…

I sat down inside the van, to get out of the hot sun, while Derek went about the business of removing the doors from the junked van; I looked about. Clearly the last owner’s belongings had not been cleared out of the vehicle. Paper and trash were strewn about, but then there it was — a Playboy magazine. Water-damaged and smelling of mildew, but there it was, right next to a bottle of Axe body spray. Does it get any more kitsch than that?!

(Now, before I go any further, you should know a bit more about when we went to purchase Ookla, our old conversion van. When the salesman unlocked the vehicle and showed us the spiffy airline lights which ran along the floor and the ceiling, the first thing I said was, “Hey, was porn made in this van?” Both the salesman and Derek blushed. So I’m neither a prude nor surprised that the previous owner of this van was also marked with smut — it just seemed to be a sign that along with make, model and year, these doors were the right match for dear old Ookla.)

But before I could reach for that Playboy, my eye spotted something else…

inside-the-van

Yup, that there is a used tampon, folks.

I carefully reached for the Playboy. It was only the cover and badly damaged — but where there’s a cover… So I kept looking about, being very careful where I put any part of myself, least I find another tampon. Or worse.

Next, I spotted a notebook with a fancy silver foil cover. Only the first page was written on — a cheap attempt at fantasy fiction, with the main character discovering a magical notebook with a silver cover. (Yeah, I took that home for giggles later.)

I then found a bill for the van’s last oil change, paid for in 2005; been sitting here awhile, I guess.

I eventually found the insides of the Playboy and I put them with the magazine cover pages and the silver notebook just as Derek called for my help to hold the doors while he took out the last bolts.

I got out of the van, headed to the back. Standing there, just holding the doors, I scanned the insides of the van from this new angle. Immediately I note Star Wars light saber boxes — not one, but two of them. If the amateur sci-fi-slash-fantasy-fiction and Axe wasn’t proof enough of an under-sexed goober, the Star Wars weaponry was. This van was owned by a nerd. A nerd who, according to the oil change bill, had the first name of Jim.

Then I spy something else…

“Hey, Derek, what’s that by your foot?”

“Huh?”

“What’s that black thing by your foot?”

“I dunno. Let’s get this door off…”

We set the door down and I go to get a closer look at the black thing which was by his foot. It’s a bit of fabric… After the tampon, you’d think I’d be leery, but I had to know what it was, so I cautiously picked it up.

star-wars-and-dirty-panties

In my hand I then held one very small pair of black nylon panties, bikini style — with lots of lace. I should’ve dropped them like they were on fire, but they were very, very clean looking. I started laughing.

Oh my God, it looks like Jimmy had himself a woman. At least once. A light-saber-playing, small-black-panty-wearing, menstruating, Playboy-accepting woman who could tolerate the smell of Axe.

There’s someone for everyone.

She-Ra: Princess of Power, Feminist Icon

I’m old. I have no knowledge of 80’s toys which has not occurred as an adult — He-Man included. But I’m fascinated that younger kids – girls — had some rockin’ Saturday AM cartoons & toys that gave girls & women more powerful female images (no disrespect to Wonder Woman!).

she-ra-collectors-inventory-coverWhen I discovered that Hillary DePiano, the woman I recently interviewed about her My Little Pony collection, not only collected She-Ra but wrote the book on the retro “grrl power” toys, I had to speak with her about them.

Hillary, tell me what it was about She-Ra that captured you as a kid — and how did that fit with your more girlie My Little Pony love?

I think the idea of My Little Pony as girlie is sort of a misconception brought on by the fact that the MLP toys of today are all about nothing but tea parties. I was introduced to them through the cartoons of the 80s and those were dark and very action oriented. In an average day, My Little Pony fought off soul stealing demons, witches, and did battle against ghosts, possessed furniture and all sorts of weird things. In the cartoon a few of them were presented with defensive magic powers to help them fight these enemies so to me they were always a part of the same girl power movement as She-Ra. They were a butt kicking female oriented society with few men and those men were total wimps. If someone had told my younger self that She-Ra’s flying horse Swift Wind was a displaced My Little Pony, I would have totally believed it.

I always pictured them going into battle side by side.

As a collector, dealer, and author, do you see an differences among the My Little Pony collectors and the She-Ra collectors?

Well it is important to designate that, while My Little Pony is a somewhat standalone toy line, She-Ra is a subsection of the Masters of the Universe toyline that includes He-Man. It’s an important thing to note because you have collectors who collect only the She-Ra toys and nothing else and then collectors that are collectors of the entire Masters of the Universe (usually called MOTU) toy line who collect She-Ra as a part of that. Many of those collectors are guys who are somewhat begrudging She-Ra collectors, I have noticed.

she-ra-princess-of-power-squares-off-with-her-nemesis-catra-of-the-evil-hordeThere are also significantly less She-Ra items. They are a very different toy to collect because, unlike My Little Pony, it is actually possible to complete your collection which is a kind of thrill collecting MLP will never give.

Interestingly enough, I started somewhat backwards. He-Man predated She-Ra by quite a few years and as a kid I just LOVED He-Man. I had quite a few of the toys. But when the spin-off show, She-Ra came out, my parents decided that since there was now a “girl version” that I had to give all my He-Man figures to my brother and that he would play with them and I would get the She-Ra. God, was I bitter about that. I think there is some feminism lesson in there.

So, in the beginning, I was playing with one eye on my brother saying to myself, Is he taking care of my He-Men figures?

But as the cartoon developed I really started to love the She-Ra universe. There was a lot more magic than in He-Man and She-Ra had all these extra super powers that made her ripe for more interesting adventures.

As an adult, do you see anything else in She-Ra, or her cultural place? Or do you collect primarily based on a sense of nostalgia?

I actually have been talking about She-Ra a good deal lately in the cultural context as I watch my younger cousins grow up. I find it really interesting that my generation grew up with this super powered female hero with She-Ra and then got Xena and Buffy when we moved into middle and high school. To me it isn’t surprising that now that we are all in our 30s there are a record number of females in high business positions, starting small businesses and breaking down barriers. We were raised on all this butt kicking, girl power entertainment our whole lives so it makes perfect sense to me that we are out there kicking butt in our own way.

The reason this came up recently in conversation is because the pattern I see with today’s teens scares me. My cousin’s generation was raised on the Disney Princess mania, and while I love Disney myself, it does sort of reinforce a very different message about waiting to be rescued by a man and being helpless. I think I would be willing to poopoo the influence of the Princess mania had it not lead directly into this whole twisted Twilight obsession. Their generation went from, “I need to be rescued, I’m a helpless Princess” to their romantic ideal being this abusive, dangerous, controlling figure that is the lead in books like Twilight, House of Night, etc where women are victimized. Now, I read and enjoyed the Twilight books (well, most of them, the 4th book is pretty terrible) but when you step back and look at the pattern, it’s scary.

catra-and-clawdeen-ride-off-to-some-nefarious-purposeIf my generation grew up on powerful, butt kicking women and we took that and became professionally butt kicking, I worry about a generation raised on being helpless and victimized. Of course, we won’t know the real effect of this for many years but it is still interesting to consider.

That said, I am sure some of this influenced me on a subliminal level but I only really started to think about it recently. I mainly collected them because I had fond memories of the toys and cartoon show from my childhood.

How large is your She-Ra collection?

At the time I wrote the book, it was complete but for a few international variations and Spinerella. Unfortunately, I have since had to sell a few pieces and playsets for space. That was a part of why I wrote the guide. I knew I was going to have to sell off some of the pieces and I wanted a photographic record of my collection. As I started to set it up, I realized that what I was creating would be of use to any She-Ra fan and I started to look into publishing it.

The best thing about being a She-Ra collector, though, is that you can have every single figure and pretty much keep in all in one medium sized box. It is a much more compact hobby than My Little Pony which can easily take over your entire house. The biggest playset is the Crystal Castle and even that is still only a fraction of the size of My Little Pony’s Paradise Estate!

Do you have a favorite piece?

crystal-sun-dancer-she-ra-toyMy answer will not surprise you at all. I love the winged horses, obviously. There are quite a few of them (Arrow, Swift Wind, Storm, etc) but my favorites are Crystal Sun Dancer and Crystal Moonbeam. They are supposed to be the daytime and nighttime protectors of the castle and they were made of clear color plastic which means you can see how they are made which is at once weird and cool. As a kid I was fascinated with looking inside of them discovering details like how they added the tails.

From a play standpoint, I just liked the idea of them, that they were these castle sentries that would fend off enemies before anyone else knew the castle was under attack.

The only downside with them, as a collector is that their wings are really sticky. I always have to segregate them from the other figures or wrap them in plastic or they make everything all nasty.

Is there a ‘holy grail’ in She-Ra collecting? Do you have it?

The biggest grail is Spinerella and I do not have her. A fellow collector donated the photo for the guide book. She can sell for $800 or more mint in box. I never really wanted her when I was a kid because I thought she was silly so I am not really looking to get her now as an adult. But she is definitely the highest ticket item of all the Princess of Power toys.

Is there a piece you are still searching for?

Not really. Every piece I really wanted I aggressively pursued already. I have a tendency to go against the grain with collecting. I don’t always go after the pieces everyone wants. Instead I tend to go after only what I want which is usually tied to what I wanted as a kid. So it means I may not always have the best pieces or the most valuable ones but I like what I have.

As a fan of He-Man, do you collect he & his cohorts, or only/primarily She-Ra?

We are in somewhat of a family debate about the He-Man figures. As I mentioned before, they were originally mine and I was forced to give them to my little brother largely against my will. Now my brother wants to sell them for some extra cash and I want to keep the ones that were mine. He thinks he should be able to sell mine as well because my parents gave them to him to play with. I’ll let you know how it turns out. But since I am the family eBay seller, I’m sure as heck not selling them for him so he may be out of luck. ;-)

But I like most of the He-Man figures very much. The later ones got a bit silly for my taste but some of them are still cool.

Do you think She-Ra will be revived as Transformers has & He-Man is supposed to be? Why or why not?

She-Ra never gets as much love as He-Man. That said, I know they are already planning a new He-Man movie so if they do make a new MOTU movie and that is a successful, I think any sequel will definitely include She-Ra. If they need someone to play in the movie her, let them know I’ll be here waiting. ;-)

I’d like to thank Hillary for the guided tour of She-Ra’s universe; I certainly do feel that I may have missed something special by being too old for Saturday morning cartoons in the 80’s.

All images courtesy of Hillary DePiano; image of Crystal Sun Dancer from her book, The She-Ra Collector’s Inventory: An Unofficial Illustrated Guide to All Princess of Power Toys and Accessories.

Hillary DePiano is a fiction and non-fiction author best known for her play, The Love of Three Oranges, and her e-commerce blog, The Whine Seller. Hillary is a collector of both My Little Pony and She-Ra: Princess of Power toys and has authored collectible guides to both. She can be found buying and selling toys from the 80s through today at Priced Nostalgia.

Cheap Thrills Thursday: Of Storks In My Collection & Contraception

shoo-vintage-stork-postcardA few months ago, a gentleman contacted me about one of the items in my “vintage stork” collection. The antique postcard, postmarked 1908, depicts a couple shoo-ing away a baby-delivering stork; the gentleman was James M. Edmonson, Ph.D., Chief Curator of the Dittrick Medical History Center and Museum at the Case Western Reserve University; and he was asking if I could get him a larger high resolution scan of the postcard for inclusion in a new gallery the museum was working on.

Could I? Would I? Um, this is exactly the sort of stuff that floats my boat! Not only is my object connecting me with others, with history, but the gallery is for Virtue, Vice, and Contraband: A History of Contraception in America — a new exhibit at the Dittrick Medical History Center and Museum that examines 200 years of the history of contraception in the United States.

So, naturally I did whatever I could to get the chief curator the graphic. And here it is, on the left-hand side of the display designed by guest curator Jimmy Wilkinson Meyer from The College of Wooster:

history-of-contracption-percy-skuy-collection-at-dittrick

The exhibit (launched September 17, with Helen Lefkowitz Horowitz, author of Rereading Sex: Battles over Sexual Knowledge and Suppression in the 19th Century America, at the Zverina Lecture), depicts the social and cultural climate that influenced birth control decisions in this country, says James Edmonson, chief curator at the Dittrick:

The exhibit reveals a longstanding ignorance of essential facts of human conception. For example, that a woman’s ovulation time was not discovered until the 1930s by two doctors, Kyusaku Ogino in Japan and Hermann Knaus in Austria. Before and after this finding, desperate women went to great length to prevent pregnancies. The exhibit explores less well known (and dangerous) methods such as douching with Lysol or eating poisonous herbs like pennyroyal, as well as conventional means such as the IUD or the Pill.

“A remarkable body of literature was available to assist newly married couples and others,” says Edmonson. “These books were not displayed publicly, on the coffee table, but hidden in a private place.”

He cites examples such as Charles Knowlton’s Fruits of Philosophy, or the Private Companion of Young Married People (1832) and the popular 18th century book on anatomy, reproduction, and childbirth, Aristotle’s Masterpiece.

In addition to literature, the exhibit draws upon and incorporates the vast collection of contraception devices donated to the university in 2005 by Percy Skuy. The Canadian collector had amassed the world’s largest collections of such devices over the course of four decades.

The exhibit starts in the early 1800s, before Anthony Comstock, lobbied Congress to pass the Comstock Act of 1873, responding to what he viewed as a moral decline after the Civil War.

“It was a watershed year. The Comstock Act made it illegal to sell contraceptives or literature about contraception through the mail,” says Edmonson.

While Congress legally barred contraception, a black market for such products and literature flourished. Comstock went undercover to search out and turn in violators of his law in his crusade to stamp out what he defined as smut and obscenity.

In the early 20th century, women’s advocate Margaret Sanger opened a birth control clinic and research institute, flaunting the Comstock Law. Eventually her efforts evolved into the Planned Parenthood Federation of America.

The exhibition highlights some ancient methods of birth control and presents information about the influence of religion on contraception.

“We wanted to have a multi-faceted look at the topic of contraception,” Edmonson says.

Future plans are to expand this exhibit with a companion book, a kiosk where additional information can be accessed on the birth control collection, and an extensive online site available worldwide.

I love that my old postcard is hanging out with Margaret Sanger — well, it does that here at home, but now it’s part of the larger public story. And that’s cool.

Now I must get myself to Cleveland, Ohio to see it!

Cheap Thrills Thursday: Shabby Gnome Chic

OK, so we didn’t make a lot of money at our rummage sale this year — but we did empty our house of a lot of clutter. However, I did keep a few things that my mother had sent over for the sale. (Since she said we could keep the profits & dump whatever didn’t sell, I figured she wouldn’t mind.) One of the items I opted to keep is this odd, badly chipped, vintage painted wooden man.

vintage-shabby-painted-wooden-man

I had dubbed him “the little German gnomish guy.” I can’t say why… due to his red-dotted mushroom cap hat, basket full of mushrooms and handful of pine cones he could be Swiss or Austrian or some other European dude.

Anyway, we had set him out for sale for a whopping 50 cents — and still couldn’t sell him. Maybe because we didn’t know what he was. Other than “odd,” I mean.

People picked him up. A lot.

In case you aren’t familiar with having yard sales, or selling at flea markets, etc., there’s always a “little German gnomish guy” at every sale. One object that, for whatever reason, is continually picked up, asked about, but doesn’t sell. At least not for a very long time. It’s not because it’s too highly priced (this guy was only 50 cents), but because he’s unusual enough to beckon and yet too unusual for a person to justify “needing” it, especially if no one knows exactly what it is. This item is dubbed the “it” or conversation piece of the sale. (Former public sale mystery “it” items have included an antique metal buckled leather loop for some sort of horse-pulling harness-esque thing and a vintage hand-held lemon press.)

When it became obvious the little German gnomish guy was the “it” piece for this sale, we let him lure people over with his paint-chipped vintage charm and start the conversation ourselves with a, “We don’t know what he is, besides ‘vintage’ and ‘shabby gnome chic’… Do you know what he is?”

vintage-shabby-gnome-chic

Eventually, as usual with these “it” items, a person came along who knew what the shabby chic wooden guy was: an incense burner. You set his open bottom over a burning cone of incense and the smoke wafts up & out through his little ‘O’ of a mouth, like he’s smoking.

Once this discovery was made, we slapped our heads like we could have had V-8s. Then I shuttled him the house to show the kids. “Oooooh, can we keep him?” Of course we were keeping him; we’d have to try him at least once, right?

Even if the stem of his pipe is stuck in his throat like some twisted moral interpretation of “smoking kills.”

vintage-kitsch-incense-burner

Odd Curator’s Notes & Whatjamacallit Wednesday

Consider it stuff I could have tweeted if I weren’t so long-winded & too lazy to work within the 140 character limit; yes, you can take the title to mean the following are odd notes by the curator, or notes from the odd curator.

Upon donning my new bra, making adjustments & checking self out in mirror: Why aren’t bras made in as many flesh tone shades as makeup — they are both the foundations of “beauty,” right?

Eldest daughter is selling magazines for high school choir. Upon paging through the catalog & spotting Horse and Rider magazine: They should have Horse & Writer magazine… I still don’t have a horse, but I’ve never outgrown my appreciation; I can’t be the only one…

Reading to hubby the latest Tweet from @shitmydadsays. Post giggle, I say, “Ah, if only our dads abused & confused us more… Well, my biological dad probably would have, but he died when I was little.” I would have added on a glib, “What’s your dad’s excuse?” but hubby’s face but the kabosh on that.

And now what you’ve been waiting for… This week’s Whatjamacallit Wednesday.

I found this in a box full of old pinbacks at a local antique shop — the pin reads “Menopausal Women Nostalgic for Choice.”

menopausal-women-nostalgic-for-choice

See, if you are crazy enough to diligently pour through the hundreds of things in a box or pile, you can find an awesome surprise.

The Serendipity Of Teaser Tuesday

teaser-tuesdays-iconI just discovered Teaser Tuesday via Tina, the Creative Nerd and I decided to “play along” because the serendipity gods were with me this week — look at the lovely bit I flipped to on page 53 of Requiem for a Paper Bag: Celebrities and Civilians Tell Stories of the Best Lost, Tossed, and Found Items from Around the World (a Found anthology collected by Davy Rothbart):

What does it mean when you forget how you found something? It means you want to have had it all along. It means you don’t want to think about the loss that precedes the finding.

(Yeah, I broke the role by giving you three lines; but come on, breaking up those lines from Bich Minh Nguyen‘s How I Found My Mother would be like ruining a poem!)

As for future participation in this book meme, well, that depends upon how on top of things I am… If the blogging keeps me from reading, who wants 6 weeks worth of teasers from one book? *wink*

How to participate in Teaser Tuesdays:

  1. Grab your current read
  2. Open to a random page
  3. Share two (2) “teaser” sentences from somewhere on that page
    BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!)
  4. Share the title & author, too, so that other Tuesday Tease participants can add the book to their TBR Lists if they like your teasers!
  5. Link back to Teaser Tuesday’s home (or post your Teaser Tuesday as a comment in that week’s comments).

Weekly Geeks: One Title, Multiple Copies

This week’s Weekly Geek is about a collection of books of one particular title:

[T]ell us, do you have a collection, (or are you starting a collection,) of one particular book title? If so, what’s your story? Why that book, and how many do you have, and what editions are they? Share pictures and give us all the details.

It will probably not surprise anyone who knows me & my “serendipitous path to discoveries” that any multiple copies of books are unintentional. Did I say “any” copies? I meant many copies…

duplicate-book-finds See, the problem with just letting universe steer your discoveries, is that you don’t exactly have a shopping list.

And you don’t exactly head into Barnes & Nobel with much of an agenda — at least not as often as you stroll through used book stores, thrift shops, rummage sales, flea markets, even curbside boxes on trash days, touching & paging through as much dust (and sometimes mold & mildew) as you do paper, on your way to discovery…

And when you trust universe to lead you, you buy it when you can afford it. Even if — especially if — it’s a box of books at an auction.

Online serendipity aside (for online discoveries & purchases tend to send me to my shelves to double check before I click & buy), all of this means purchasing duplicates or multiples of books is imminent. (Hubby has already documented the details of some of the titles, shown in this photo, at his book blog.) As for why we retain ownership of redundant titles, same prints even, when we are small-time sellers of collectibles who could easily sell them off, is probably more fanciful than how we’ve come to own them.

Simply put, I envision duo review opportunities — or dueling reviews, if you will, in which hubby and I begin reading the same book at the same time and then publish our reviews (rather) simultaneously. Of course, this doesn’t explain those cases in which we have three or more copies of the same book…

I believe that would come down to a reluctance to upset universe by refusing the multiple gifts it has given; re-gifting or selling of gifts given by the book gods seems too tacky — I wouldn’t want to risk peeving them, resulting in them stopping pointing the way to books.

But hubby would likely put this all down to sheer laziness.

However, it should be noted that hubby also mocks my suggestion of book review duels. And he says I mistake “greed” for “serendipity.” Clearly he is wrong about all of this. *wink*

And he must know it too; because he’d never suggest we catalog all our books or become more logical & organized in our approach to buying books, like having lists. We can’t; we don’t know everything that’s out there, so how can we possibly know exactly what we’re looking for?

If multiple copies are the burden we and our sagging bookshelves must bear for our love of books, we accept it. Happily.

Cheap Thrills Thursday: Throwing Out Body Issues

They say you can tell a lot about a culture by their garbage — “they” being anthropologists, social scientists, & historians (their amateur varieties too), folks who monitor consumerism, as well environmentalists & “green” eco types. And dumpster-diving garbage pickers like me & my family.

Yes, I dumpster dive and “rescue” things found curb-side — and I’m not embarrassed to admit that we teach our children how to appropriately do the same. Especially during our city’s annual cleanup week; that time of year when folks are assisted in their spring cleaning (and post-flood clean-up) efforts by being allowed to rid their homes & garages of things that normally cannot be left curb-side for the municipal garbage pick-up.

This year, during our city’s annual cleanup week, among the major appliances & numerous vintage toilets (presumably so plentiful this year due to flooded basements resulting in insurance checks to refurbish basement bathrooms), we scored big time (including, not shown there, boxes of books and antique farm items). But there were also number of things I just took photographs of because they were too telling about our society…

One was this old personal home sauna — one of those kitschy retro icons of weight-loss & female self-es-steam, er, self-esteem — modeled here by my daughter Destiny.

retro-home-weight-loss-sauna

(Probably the grossest thing she touched that day; imagine the sweaty, possibly nude behinds, that sat in that seat! Hand sanitizer to the rescue!)

retro-vita-master-sauna

Another day & neighborhood away, we found this orange nightstand covered in food, fashion & weight-loss clippings.

kitschy-decoupage-weight-loss-clippings-orange-nightstand

Both girls both, 13 and 20, loved this & were planning a battle for which one would get it. *sigh*

Unwilling to allow either girl to absorb the sorrow of such a “motivational” piece of furniture, I forbade either of them to get it.

But, willing to concede the cool factor of reinventing a shabby piece of furniture, I told them to keep their eyes open (curbside or at thrift shops, rummage sales &/or flea markets) for a small piece of functional yet ugly furniture and I’d show them how to transform it with paint, magazine clippings & decoupage glue. They’ll just have to select some other theme.

Because there’s no way I’m adding more female body issues to the world; not with my kids, and not in memorabilia for future trash collectors & anthropologists.

Weekly Geek: Why Haven’t I Read This Yet?

I’m leaving early tomorrow morning for the weekend, and even though I had Friday’s post scheduled, when I spotted this week’s Weekly Geek question, “Why Haven’t I Read This Yet?”, it brought to mind at least one of the nagging questions raised by Gabriel Zaid in So Many Books that I just had to eek out a little time to answer it.

While Ruth at Weekly Geeks asked us to talk about a book (or books) we have been meaning to read (What is it? How long have you wanted to read it? And, why haven’t you read it yet?), my problem is far more ah, chronic than that.

In fact, I have a lovely stack of books here, desk-side, to review, read, and generally get lost in — and other stacks & sagging bookshelves for the same and other reasons.

I think sometimes my desire to own, the reality of time to read, and the love of books have given me a false sense of security when I buy books. It’s as if when I grab a book, clutch it to my bosom, and greedily pay for it, I loose all sense of reality… I cling to the fantasy of Someday.

Like all the boxes of ‘craft crap,’ I hold on to books for the great Someday when I will have time on my hands…

On one hand, this probably speaks quite a bit about of my precariously close to hoarding personality; on the other, I don’t think I’m that unique in my pursuits of piles of books.

* My eyes are bigger than my stomach — my appetite for reading greatly surpasses my time for reading.

* As a collector, writer & researcher, having my own library full of as of yet undiscovered information is a gift indeed. And, it may sound crazy, but sometimes I’m pretty sure I believe that just by owning books, by having them near, through some law of physics I will absorb all the knowledge, all the stories, all the lore & wisdom via osmosis.

* I believe in the serendipity of discovering books and the universe has blessed me with many finds; so I believe that universe will also serendipitously deliver the time to read the books (have the conversations) when I need to do so.

But mainly, I just don’t believe as Gabriel Zaid does, that “almost all books are obsolete from the moment they’re written, if not before.” I believe the opposite, actually, even though I mainly read non-fiction.

I find books from a time period often are the most accurate snapshots of the times in which they were written &/or published. Facts may be outdated, but passion & pursuit of the facts are never really outdated… Reading old books, out of print books, is to renew old conversations, illuminating so-called “current” conversations with corrections about assumptions, reminders of history lessons, and sometimes, a wisdom that’s too long been ignored or just plain forgotten. Sometimes, there’s just plain nostalgia. Maybe they are so quaint it’s funny. But saving old books, renewing previous conversations, remembering that this “now” we think is so important will also pass, is vital in my world view.

If it doesn’t matter to me how much time has passed between when the book is written & when the book is read, how can it matter how much time passes between when you bought a book & when you read it?

Basing your reading on “new only” or some inventory mantra of “first in first out” is an anathema to me. It conveys a materialistic aspect, diminishing books to temporality, objects limited to a short time of significance. As a collector, as a researcher, and as a reader I completely disagree.

And I have the stacks of as of yet unread books to prove it.

Just Who Destroys Books & Libraries?

a-universal-history-of-the-destruction-of-books-from-ancient-sumer-to-modern-day-iraqAfter reading So Many Books: Reading & Publishing in an Age of Abundance, I was delighted to serendipitously discover a copy of A Universal History of the Destruction of Books: From Ancient Sumer to Modern-day Iraq, by Fernando Baez (translated by Alfred MacAdam), staring me in the face from the “new arrivals” display at the public library.

I’ve always wondered just who would destroy books and libraries — and why. Here was my chance.

The book’s Introduction sums it up best:

It’s common error to attribute the destruction of books to ignorant men unaware of their hatred. After twelve years of study, I’ve concluded that the more cultured a nation or a person is, the more willing each is to eliminate books under the pressure of apocalyptic myths. In general, biblioclasts are well-educated people, cultured, sensitive, perfectionists, painstaking, with unusual intellectual gifts, depressive tendencies, incapable of tolerating criticism, egoists, mythomaniacs, members of the middle or upper classes, with minor traumas in their childhood or youth, with a tendency to belong to institutions that represent constituted power, charismatic, with religious and social hypersensitivity. To all that we would add a tendency to fantasy. In sum, we have to forget the stereotype of the savage book destroyer. Ignorant people are the most innocent.

You could take that at face value — but I preferred to continue reading how Baez came to that conclusion.

In the Note for the English Translation, Baez suggests the following:

I suggest not reading it beginning-to-end because, in its way, this book is an anthology of possible books. The reader, with no remorse, can start reading anywhere. So, dear reader, you are invited to embark on a circular, but, I hope, intellectually stimulating adventure.

Intrigued, I tried to randomly jump around — which is as unlikely as it sounds. Not only an oxymoron & unorthodox, but honestly, after six out-of-order chapters, I found myself desiring the book’s beginning to end layout which (mainly) mirrors a linear progression of time. Not only was this contextually refreshing, but, as a student of US public schools, I enjoy reinforcing what little knowledge of a time line of history I currently possess — & expanding new nuggets of information into such a stately progression was helpful too.

Along with the usual suspects in the destruction of books (natural enemies, such as fire, water, bugs, sunlight, etc.), there’s plenty of discussion, exploration, & historical documentation of those who applied the destruction on purpose. Book burning and book eating may result in the same thing as books on a sunken ship, but these actions usually had very different intents, so Baez covers the many ways to destroy books — accidental & by design. Censorship, on individual & public scales, may seem simple, but Baez exposes the stories behind the persons, passions, politics, prosecutions, and procedures.

Unexpected delights (in terms of chapters or topics — because the whole book is full of both the unexpected, the delightful, and the delightfully unexpected — even the losses are bittersweet for at least I’d heard of them now) included the chapter, Books Destroyed in Fiction.

This book not only affirmed my love of books & libraries, but reminded me how little I know… Including ignorance to relatively current events.

Like while I was very aware of the looting of museums in Iraq (especially after attending MPMA conferences), I never knew about the destruction, looting & losses libraries in Iraq suffered.

And how did I not know there was a fire at the Los Angeles Central Library in 1986 — in my lifetime? Not just any fire, but a deliberately set fire; a fire that must have been fueled with irony for it was both “the single worst library fire to take place in a nation where the most modern mechanisms for the protection of libraries exist,” and a fire started on April 28, 1986, just six days after the international Day of the Book.

Now that A Universal History of the Destruction of Books: From Ancient Sumer to Modern-day Iraq has made me aware of just how ignorant I am, I’ve set Google Alerts for library news.

So Many Books, So Little Time

so-many-books-cover“So many books, so little time,” is the common lament of book readers and compulsive book buyers like myself who snap up paperbacks like this discarded library copy for 50 cents. That saying could have been the title of Gabriel Zaid’s book — but then, Zaid’s book covers more than just book readers, so he made the recognizable allusion & added a bit more to the title.

So Many Books: Reading and Publishing in an Age of Abundance by Gabriel Zaid (translated by Natasha Wimmer), covers the entire family of bookish folk: readers, buyers, collectors, writers, publishers, marketers, & retailers. The distinction of each may not seem like much to you; but having tried my hat at all of the above, I, and Zaid, can tell you there are some large differences (and when the book marketer & retailers, especially, are ignorant, they are very unsuccessful).

Zaid manages to pile on an enormous amount of facts (book publishing has been enriched by the very innovations that seem to threaten it), observations (many authors don’t write for their readers, but to pad their resumes) and philosophies (book are conversations; readers participate in the conversations and, in some cases, arrange the conversations) into a slim, 144 page, book.

But what’s truly amazing is that Wimmer’s translation manages to retain (or perhaps create? I’ve no way of assessing the original Spanish) a concise elegance that is fascinating & impressive.

Especially evident (as well as powerfully provocative) in chapter six, when the author lays out, step by step, how “learning to read is the integration of units of ever-more-complex meaning.” Ab-so-feakin’-lute-ly mind blowing to consider — while you are literally doing it!

Just how my copy of this book was deemed an unnecessary conversation by a library (the Lake Agassiz Regional Library, Moorhead, MN — not my Fargo Public Library!) seems more than ironic, but sad. Because I haven’t hugged a book to my chest like this in a long long time.

A true feast for bibliophiles craving both the intellectual & the literary, I could quote nearly endlessly from So Many Books — or at least 144 mass market pages worth. *wink* But out of respect for the author & translator, I’ll limit myself. These are my favorite passages — the juiciest ones that really make me think about myself — which come from the second chapter, titled An Embarrassment of Books:

Those who aspire to the status of cultured individuals visit bookstores with trepidation, overwhelmed by the immensity of all they have not read. They buy something that they’ve been told is good, make an unsuccessful attempt to read it, and when they have accumulated half a dozen unread books, feel so bad that they are afraid to buy more.

In contrast, the truly cultured are capable of owning thousands of unread books without losing their composure of their desire for more.

“Every private library is a reading plan,” Spanish philosopher Jose Gaos once wrote. So accurate is this observation that in order for it also to be ironic the reader must acknowledge a kind of general unspoken assumption: a book not read is a project uncompleted. Having unread books on display is like writing checks when you have no money in the bank — a way of deceiving your guests.

If that doesn’t make you smile — or at least grudgingly nod to yourself — then you book collectors will hate this next one:

A terrible solution is to keep books until you’ve accumulated a library of thousands of volumes, all the while telling yourself that you know you don’t have the time to read them but that you’ll be able to leave them to your children. This is an excuse that grows weaker and weaker as science makes even greater strides. Almost all books are obsolete from the moment they’re written, if not before. And marketing strategies engineer the planned obsolescence even of classic authors (with new and better critical editions) to eliminate the ruinous transmission of tastes from one generation to the next, which once upon a time.

The creation of an obsolete library for one’s children may only be justified in the way that the preservation of ruins is justified: in the name of archaeology.

Perhaps it at this point (page 16) that those who checked out So Many Books angrily stopped reading, returned the book to the library, and continued Zaid’s conversation in the most unflattering of ways, bad-mouthing the book into that useless space-taking-with-no-check-outs status that forced the librarian to discard it.

But me? I saw myself in those passages — and I loved it. Sure, it’s like those extra pounds I’ve got; not so pretty too look at for some, but baby, that’s all me! Before I can decide what — if anything — I should do about it, I have to first be aware of it. So Zaid held up a mirror and now I get to think about it… Why do I do that? (I buy it cheap, so that it’s at my fingertips — and there’s that osmosis thing.) Is he right? (I most vehemently do not agree all books become obsolete — some conversations ought never die & the past should be included in those conversations.) And then I get to converse with others about it. Awesome!

In case those passages really hurt your feeling (or before you rush off and buy yourself a copy of So Many Books), I’ll leave you with the following passage from the end of chapter one, To the Unrepentant Reader, which may put you & I & Zaid & all readers each in a better light:

The uniqueness of each reader, reflected in the particular nature of his personal library (his intellectual genome), flourishes in diversity. And the conversation continues, between the excesses of graphomania and the excesses of commerce, between the sprawl of chaos and the concentration of the market.

Whatjamacallit Wednesday Is Nearly Cheap Thrills Thursday

Shopping in an antique mall, there are many charming things to distract one from one’s mission — if one had a mission. Which I usually don’t. I just let serendipity direct me in the real world (while online, libraries, etc., are for dedicated, obsessive, researching). So I walk along, taking as much as I can in with my eyes until I spy something…

Can you guess what I spotted?

antique-mall-shelf

Here, I’ll narrow it down for you:

vintage-animal-figurines

Out of all the adorable items to charm the pants off a person, I selected the 2 inch high figurine now dubbed Mr. Yellow Yarn Ears.

mr-yellow-yarn-ears

(At just $3.50, he could have been a Cheap Thrills Thursday — but I’m pretty sure I can find something else for tomorrow lol)

He now sits with my “Vintage Ceramic Figurines With Fur Applique” collection — even if (I’m pretty darn sure) his ears are made of yarn. Though, I must admit, I’m completely willing (and capable) of starting a collection of animal figurines with yarn ears. So who knows?

Have You Been… To The Smithsonian?

The Smithsonian Institution was founded on this date (August 10th) in 1846. Named for British scientist James Smithson, who willed his fortune to the U.S. to establish the institution, today the Smithsonian is made up of 19 museums (including the National Air and Space Museum — the most visited museum in the U.S.), the National Zoo, and nine research centers. The Smithsonian houses more than 136 million items in its collections, earning it the nickname of “the nation’s attic.”

north-facade-smithsonian-building

Remembering Retro Risque T-Shirt Iron-Ons

retro-lets-boogie-iron-on-t-shirt-transfer Back in the day, you couldn’t go to a mall and avoid a visit to (or the smell of) the t-shirt shop.

There you could select your t-shirt style (ringers were de rigueur, but then the baseball shirts with contrasting sleeves came in — oooh!), get your size, choose a color, pick out the funkiest iron-on, and even have it all personalized with letters (including glittery & puffy versions) spelling out your name.

Ah, those were the days, my friend…

Sure, now you can use your computer to design your own graphic and print it out at home on some iron-on paper and iron it on yourself (if you even own or can find your iron), but it’s not the same.

stolen-from-mabels-cat-house-customer-comes-firstDon’t argue with me; it’s not the same, I tell you!

The 70’s were the Golden Age of Iron-Ons.

There were rock iron-ons, iron-ons with drug references and slang (that you had to be cool to ‘get’) — all sorts of stuff.

But the best, the most memorable, were the risque & down-right lewd t-shirts which had designs running the polarized gambit of responses to women’s liberation. You had sexist men, trying to exert their dominance through sexual bravado, sometimes cloaked as jokes, one one end; and on the other end, women trying to make their point that they were equal & could be dirty too.

typists-do-it-sitting-down

I’m not sure that Typists Do It Sitting Down was exactly liberating or showing support of the ERA (more likey to feed the naughty secretary mythology), but, hell, they were worn by the libbers at PTA meetings — I mean literally worn at PTA meetings.

70s-male-chauvinist-pigSometimes a chauvinist pig & a demonstrating libber had on the same shirts. Was “Sex is Like a Bank Account, as soon as you make a Withdrawl, you lose Interest” supposed to be sex positive? Or was it ironic? You didn’t always know…

I’m pretty sure a lot of the adults wearing them didn’t know either.

It was confusing.

I’m sure part of the reason so many of these iron-ons and finished tees were seared into my brain as if the press-iron had melted the plastic goo-graphics into my brain had a lot to with my age.

retro-kitsch-pervert-of-the-yearBeing a teen-aged girl standing behind a guy who’d just made/bought a “mustache rides” tee — who smiled at you just a little too long — makes you understand the classless menace even if you don’t know what that sort of ride is… And then, when a friend’s older sibling tells you what it means, you die another special little death.

Ah, good times.

But what’s really surprising is to look at what’s left of these original retro iron-ons and realize just how many you don’t understand. It’s not just that I don’t recall seeing them before; I honestly don’t understand them.

retro-lab-iron-onLike “LAB Large American Breasts” — was that for men or for women? The nipples on the ‘B’ indicate, a large American no. And was “LAB” supposed to be a parody of another LAB? The League of American Bicyclists? The Liberation Army… Uh. I don’t know.

Maybe it’s just as simple as men boasting they wanted big breasted women & I’m over thinking it.

But what about this? If “The more I know MEN… The better I like my DOG” was an iron-on for woman to wear, does that mean “The More I Know Women… The Better I Like My PUSSY!” was for men? Um, that iron-on doesn’t really transfer — the concept, I mean (I’m sure the image went/goes on a shirt fine). …There aren’t any rainbows or triangles to signify any LGBT significance.

the-more-i-know-men-iron-onretro-the-more-i-know-women

Maybe I’m just too obtuse. Or too cerebral… This was the 70’s. I probably shouldn’t expect a lot.

But I want to add these iron-ons to my collection. That way, as usual, I’ll have some time to ponder the individual messages and their part in the collective message — and maybe that will help me make more sense of it all. Maybe.

hands-off-my-tuts

Cheap Thrills Thursday: The Bear Facts

I got this vintage mechanical wind-up bear toy at a rummage sale at an old folks home senior living center; I paid a whopping 10 cents for it.

vintage-windup-bear-toy

When I grabbed it with glee, hubby thought it was A) in bad shape & B) a modern reproduction. (Like for a dime it matters?) But he was wrong on both counts; A) the fur on his right side is not torn, just the glue which held it in place has gone kaput, and B) the old plastic muzzle & paper dealio beneath the wind-up turn thingy marked “Made In Japan” signify it’s a vintage toy.

old-wind-up-bear-toy

vintage-wind-up-mechanical-bear-toy-made-in-japan

And yes, it works! Wind him up and he walks!  What a find for a dime!

vintage-mechanical-bear-toy

PS The doll you can see in the background of this last photo is posted here.

PPS My neighbors are beginning to look at me oddly for taking objects from inside my home outside to photograph them on the porch. But you understand that the sunlight makes for better photos, right?

Why Love Old Paper?

At Forgotten Bookmarks, a visit to This Old Paper prompts this post pondering old paper:

Looking though their site, I wonder what it is about these old things that fascinates us. Why are we drawn to a simple note, a single sentence, just because it was written 100 years ago? We come across words that old all the time, and choose to ignore them. Often, we ignore them because they are old words, tired words (I’m looking at you, Charles Dickens). No, it must be the intimacy of the words, the moment. I like to think we are part-time anthropologists, dreaming up the birth and death of of these old things, the wheres and the whys; imagining the postcard dropped in box in 1910, the candlelight flickering across the parchment as a tired father reaches across the miles with his words to his family back home, a bored student passing the time in his 1951 Latin class by doodling the teacher with a monkey’s butt…

I have conjured up all these things and more, and I am just starting to realize that I prefer my version of history to anything that might have really happened. I am sure their lives were nearly as droll as ours.

I think it’s this and more, such as the tactile lending transcendence (the power of the objects) and the fact that life — and its intimate moments are the real stuff of history (more than the dates & events memorized)… But the post is an eloquent & excellent start.

This also serves as a reminder to submit your articles, posts, ponderings (or those you’ve enjoyed) to the next — and forthcoming — editions of the History Is Ephemeral carnival.

I Collect Bitch Like It’s A Good Thing

medicated-and-motivatedTaking a look at retro & vintage images of female domesticity (or the sales of such) is a fascinating part of my collecting.

For every bit of useful information (research help, household tips & recipes), there is the moment of shocking disgust that even though you already knew of its existence (or at least expected to find something like that there) results in the auditory combination of frontal forehead slap and an “arg!”

This sport has become quite popular, even among the non-collecting set, who have exploited the kitsch of yesteryear & reclaimed it in the names of feminism and/or capitalism, spawning a bajillion blogs and inspiring Anne Taintor, among others.

And we buy it by the barrel. From “Guess Where I’m Tattooed” emery boards to sticky notes; from blank journals & greeting cards to ID cases & compacts.

guess-where-im-tattooed

Derogatory statements & words (like the B-word, bitch) were often reclaimed by women, much like the N-word; only we women could use those words, label one another & our products with them.

could-you-be-a-bigger-bitch-gum

Obviously, sometimes, it was pure capitalism. Perhaps even with a pinch of misogyny — or at least irony — as it was men like Ed Polish & Darren Wotz who really capitalized on women’s mockery of their own history by selling them bold & defiant sayings juxtaposed with domesticated retro images of women.

you-say-bitch-like-its-a-bad-thing

At some point whatever genuine interest there may have been in giving females a hearty last laugh at female history was perverted into a glut of raunchy retro styled products which twisted & sometimes down-right confused sexism with sexy. At first, it felt only natural to mock & rebel against the ridiculous notion of woman as virgin & then (married) mother — with never a thought to her own pleasure or desires.

maybe-i-want-to-look-cheap

So, much like the B-word, we took over the S-word, co-opting it for our own use, putting “slut” on a slew of merchandise.

im-not-a-slut-im-just-popular

Bur then we went too far, I think, including putting “slut” on clothing for kids. *gasp* (No, I won’t link to or promote any of that.)

slut-body-detergent Most of the retro rebelling merchandise has it’s only value in the humor, being poor product inside slick packaging, and they often don’t stick around long.

Products such as Bitch & Slut Body Detergents are no longer are around (hello, collectible!) — but in the specific case of the body detergents, the problem was with the icky gritty soap, not the packaging. (And it should be noted, in the interests of accuracy and equality, that Mabel’s LaundrOmat also served silly, dirty & derogatory soaps about men too.) However, it seems the company continues to make stereotypical sundries which may chafe & chap those without the ability to laugh at things such as Extra High Maintenance & Extra Dizzy Blond Lip Balm.

extra-dizzy-blond-lip-balm

Today, it’s difficult to enter a hip gift shop, bookstore, or boutique and not be bombarded with such humorous merch. A lot of it is funny. But some of it seems to actually be reinforcing the old myths & stereotypes. And many of the profits in the process of using humor to free women from the humiliating shackles of the past are lining the pockets of men, not women… Is that really liberating? Or funny?

I wonder about that stuff when I buy it for my collection. Because even while I may be “documenting history” (and modern items are both “today” and “history”), I don’t want to be buying the old party line when I buy my trinkets, you know?

Anyway, when you look at it all on the shelves, at a store or in a collector’s home, all this reclamation of womanhood says something… I’m just not sure what yet.
queen-bitch-to-you

History Is Ephemeral Carnival, 3rd Edition

history-is-ephemeral_big Welcome to the third edition of the History Is Ephemeral Carnival, where collectors of ephemera & history lovers share & obsess. (If you’ve got old paper & their stories to share, please submit your post to this monthly carnival via the carnival’s submission form.)

Old Clippings & Articles:

Hot On The Historical Ephemera Trail… In The National Enquirer?, written by me & published at Collectors’ Quest.

Andrew Amelinckx presents The Belgian paupers posted at Old Smoke Bio, saying, “While doing research for a book I’m writing, “Old Smoke,” I came across a small article on 12 Belgian immigrants who ended up in a NYC jail. Being of Belgian ancestry it peaked my interest and here is the result.”

Cliff Aliperti presents The Sporting News Coverage of Lou Gehrig Surpassing Everett Scott’s Record posted at VintageMeld.com.

I’ve also published Now It’s Really The Last Laugh & Twitter Of 1950 here at Kitsch Slapped.

Old Books, Pamphlets & Publications:

Jdou presents Late-breaking news on Regnault-Warin’s controversy posted at A Revolution in Fiction, saying, “Tantalizing hints unearthed about an unknown best-seller of 1800, the novel _Le Cimetiere de la Madeleine_, which was searched, seized, and destroyed by the French police for over 2 years!”

In Chapter 419 Useful References About Ephemera, Chris Lowenstein of Book Hunter’s Holiday show us antique women’s suffrage publications.

Also, Chris shares a neat old pamphlet at The Fine Book Blog.

Azrael Brown Acquisitions: Hansi’s New Life posted at Double-Breasted Dust-Jacket.

Stamps:

At Ephemera, Marty Weil presents Lincoln Ice House Cover Stamp.

Photos, Postcards, Etc.

At Stage Whispers, Carla Cushman has two excellent pieces: Drag Kings of Theater and Drag Queens of Theater.

Tattered & Lost presents Is She Or Isn’t She? posted at Tattered and Lost Photographs.

Honorable Mentions:

GrrlScientist‘s Unholy Business: A True Tale of Faith, Greed and Forgery in the Holy Land (posted at Living the Scientific Life) is a review of Nina Burleigh’s book on one of the greatest hoaxes of all time — which includes the forged Joash Tablet. Are stone tablets ephemeral? Maybe not; it depends on the purpose, I suppose… But I can’t resist a good case of historical fraud.

Also, don’t miss my review of The Soiling Of Old Glory, it’s a biography of one singular photograph. (And I sure learned a lot!)

That’s it for this edition! If you found some interesting ephemera, please, submit your blog post/article — or one you like — to the next edition of history is ephemeral using the carnival submission form. (Past posts and future hosts can be found on the blog carnival index page.)

Twitter Of 1950

Quick, a vintage news weekly magazine, promoted itself on page 65 of the July 31, 1950 issue, with quotes from readers (along with a subscription form, should you so be moved), which illustrate that the “quick” news blurbs and short “frequent,” “accurate,” and “up-to-the-minute” information was “invaluable” to professionals, such as John L. Gary, Superintendent of Schools, La Center, Washington, and Margaret Webster, “distinguished Shakespearean director.”

quick-mag-promoting-itself-july-31-1950

Then people were thrilled to receive “digests” of “what is going on in the world,” to have “short-cuts” assisting them, helping them save time in a rapidly moving world — just as those of us who use Twitter do now. Well, at least that what Quick wanted you to think so you’d be moved to clip that subscription form and send it in.

I had just scanned the page from Quick magazine so that I could make the pithy comparison and add this 1950’s update to your history of Twitter (see also: Robot Messenger Displays Person-to-Person Notes In Public, Aug, 1935), when what do you suppose happened?

Just a few days later, presumably after finding & reading my article about the vintage publication, Clyde Hostetter, Professor Emeritus at California Polytechnic State University, emailed to ask if I have a copy of Quick published about 1948 “with a cover photo of sick women lying in a hospital corridor as the result of a mass food poisoning in Topeka, Kanas.” Seems Mr. Hostetter, then a writer/photographer for what was then the Topeka Daily Capital, is the one who took the photo of the woman suffering from food poisoning and, it being his first & only cover photo on a national magazine, he was eager to have a copy of it.

This is not the first time I’ve been delighted to make connections with people over my old magazines & ephemera; for example, I’ve helped provide images for the new walking tour of the Hingham Shipyard Historical Exhibit & helped family of legendary poodle trainer, instructor, & author Blanche Saunders find out more about “Great Aunt Blanch.” So it was with sincere regret that I wrote back to Hostetter to inform him that I did not own the copy he was looking for (even though I write about things found in Quick quite often, I currently only have three issues of that magazine). I told him if & when I discover a copy, I’d be sure to let him know.

Hostetter did have a great gem to share about the good old days of journalism — and it’s equally applicable to today’s discussion of Twitter & blogging:

I forgot to mention the joke that went around in the newsrooms when Quick first hit the newsstands with its acutely shallow summary of the week’s news. It was said that Fleur had another idea for a magazine called WORD. It would be published weekly like Quick. Every week the editorial staff would gather and chose a word for the total content of that week’s issue.

I find it very interesting (and, I’ll admit, somewhat amusing) to consider those days of print journalism, the old guard & the new guard competing against the assault of that new menace, television, discussing integrity & worthiness. Its comparisons to newspapers and magazines today and their view of the internet and digital media cannot be underestimated. And the super news is that Mr. Hostetter seems willing to continue sharing his memories of those days… So stay tunned to read more in the future.

Now It’s Really The Last Laugh

As usual, a tiny snippet in a vintage magazine drives me to obsessive research…

This time it’s a few lines on page 47 of Quick (November 21, 1949 — which had that feature on Esther Williams). The few lines, titled Last Laugh, are about the widowed singer, Mrs. Reseda Corrigan, who after having fallen prey to infamous bigamist Sigmund Engel, announced her plans for both a vaudeville act “showing how Engel made love to her” and her engagement to “booking agent and bandsman,” Al Turk.

last-laugh

Apparently it is worth noting that Mrs. Corrigan was not only a window, mother of three, and a singer, but a redhead — and her fashions were greatly detailed in the press reports of the court trials. I love how women’s fashions pertain to courtroom drama. Not.

Sigmund Z. Engel, was a real charmer. He’s credited with saying, “The age of a woman doesn’t mean a thing. The best tunes are played on the oldest fiddles.” And he apparently offered the press advice upon entering prison:

1. Always look for the widows. Less complications.
2. Establish your own background as one of wealth and culture.
3. Make friends with the entire family.
4. Send a woman frequent bouquets. Roses, never orchids.
5. Don’t ask for money. Make her suggest lending it to you.
6. Be attentive at all times.
7. Be gentle and ardent.
8. Always be a perfect gentleman. Subordinate sex.

Engel also wrote a book, titled Lover of 1001 Women — a copy of which currently eludes me. But I have heart. I always have heart when it comes to collecting; but love can be far trickier… As Mrs. Corrigan herself warned in the St. Petersburg Times, June 23, 1949, “When a man uses excellent English, whispers ‘I love you’ while at the same time kissing your ear, beware.”

bigamist-sigmund-engel-awaiting-trial-in-cook-county-jail-life-mag-photo-by-francis-miller

It’s important to note that Mrs. Corrigan was not just bigamist-bitter, nor even money-taking-bigamis-bitter, but royally-pissed-bitter. This because during Engel & Corrigan’s engagement Engel went missing for a week. Then he suddenly called and asked Corrigan to take the first train out of Chicago and meet him in New York’s Grand Central Station. Corrigan complied. Not only was Engel a no-show, but, because Engel was supposedly wealthy, she arrived without any money of her own and was forced to live in Grand Central Station for eight days — sleeping in the washrooms and on public benches.

That would leave a bitter aftertaste all its own, yes? This is when she filed charges in Chicago, resulting in Engle’s photograph being published & the ensuing suits.

So we can understand Corrigan’s boasting in the press about her show and upcoming nuptials.

But Corrigan wasn’t to have the last laugh as far as I can see.

In the St. Petersburg Times, November 20, 1949, the following bad news:

Mrs. Reseda Corrigan’s “kissless romance” with band leader Al Turn is one the rocks — right where the vocalist was left by Sigmund (Sad Sam) Engel when he dashed off with her $8,700.

Soon after Engel’s conviction in Chicago, Mrs. Corrigan, 39, disclosed plans to marry Turk. But Turk said yesterday the whole thing was washed up. He explained: “She does a fair job of singing but she needs a log of training.”

Mrs. Corrigan was caught off base by Turk’s announcement but fired back: “I have more finesse than he has. He has no gallantry about him. Why, he didn’t even kiss me.”

Neither did Engel, she insisted, because “I’m a singer and I don’t want to be going around with germs in my throat.”

I’ve got a little something in my throat… I think it’s bile.

If anyone knows anything more about Reseda Corrigan, I’d love to hear about it — especially if you have a photo!

History Is Ephemeral Carnival, 2nd Edition

history-is-ephemeral_big Welcome to the second edition of the History Is Ephemeral Carnival, where “old paper” is more than just an obsession or a fire hazard — it’s the stuff of discovery.

Azrael Brown presents The Big Book of Cattle Brands posted at Double-Breasted Dust-Jacket.

Tattered & Lost presents When bluebirds fly over 4 leaf clover YOU’LL FIND A PIANO SALESMAN posted at Tattered and Lost Ephemera.

Frank presents Rare laser & holography art exhibit posters from the 80’s posted at HoloWorld at YouTube.

J.W. presents Victorian Beauties posted at The Collective Picture, saying, “A blog that collects photos and talks about their significance. This post is about the history of photography, and show’s early images of Victorian woman.”

Cliff Aliperti presents The Sporting News Coverage of Lou Gehrig Surpassing Everett Scott’s Record posted at VintageMeld.com.

I present When Does It Become Too Hot To Operate A Model Railroad? (Or, Taking A Ride On A Model Train To Meet The Emperor of Death Valley) posted here at Kitsch Slapped.

Azrael Brown presents Helen and Mrs. Faucher in blackface posted at The Infomercantile.

J.W. presents Tobacco Floats, Prize Goats and Billy Bowlegs posted at The Collective Picture.

Tattered & Lost presents Where have all the FLORIST SHOPS GONE? posted at Tattered and Lost Photographs.

Love old paper? Found something interesting? Please, submit your blog post/article — or one you like — to the next edition of history is ephemeral using the carnival submission form.

Past posts and future hosts can be found on the blog carnival index page. (If you’d like to host, just let me know!)

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The $1.99 Career Change?

As usual, I spotted a retro game at the thrift store and had to spend a whopping $1.99 — and make someone play it. This time the game was Parker Brothers’ Careers and the victim was the husband, Derek. Fortunately, the only pieces missing were two dice — and, after lengthy searching, I was able to remedy that so we could play. (No one escaped playing games with me that easily!)

retro-parker-brothers-careers-game-box

Unlike the What Shall I Be? games by Selchow & Righter Co., this game isn’t so much about the rah-rah-sis-boom-bah “you can be anything you want to be” as it is about the “success formula.”

Instead of exploring career options and considering the education and work involved in landing that dream job, Parker Brothers Career Game reminds game players that success not only is about the games we play, but that one can actually define their success. I’m not just waxing poetic; it’s right there on the game’s box: “Fame… Fortune… Happiness… The Choice is yours in Parker Brothers game of Careers.” (Parker Brothers even registered it’s board game and equipment trademark under the “Fame, Fortune and Happiness.”)

Game play seems a bit complicated (there’s not only a set of instructions, but what we’d now call an FAQ printed inside the game box) and might be a bit intimidating at the start (hubby & I were awfully glad we hadn’t opened any wine coolers to drink while playing), but once you set up the board & roll the dice, it’s much easier than all the type implies.

careers-instructions

Like Monopoly, you begin at start and get paid every time you pass it; unlike Monopoly, this game doesn’t need to be all about money, for before you roll the dice, each player sets their own goals.

Each player must define their own idea of success by designating their individual Success Formula — and actual equation by which they will win. While each player must get 60 points, they may divide their points up, in any way, between the three categories of Fame (stars), Fortune (money – each $1,000 being 1 point) & Happiness (hearts). Since we were a bit bewildered at first, we just guessed numbers to fill in the blanks. Hubby went for the mathematical “divided by three” and gave himself a goal of of 20 each. I went for $30,000 (30 points), and 15 each for Fame & Happiness.

careers-score-cards

The you move around the board, based on the number of spaces the dice rolls tell you & the information based on the cards you get, and the directions on the spaces themselves. Along the way you have options to pay for publicity (earning Fame Stars), gamble in the stock market & at Las Vegas (earning money), and spend time in Paris and Hawaii (earning Happiness Hearts) — again, if you have the money to spend on such things. Of course, just as with real life, you may also fall prey to hospital stays, unemployment, taxes & rent.

You earn college degrees & work experience by following the individual career paths (using only one die for those areas). Some of the career paths offer more money to earn, raises in salary (what you earn each time you pass “start”), Fame & Happiness points, as well as “Opportunity Knocks” and “Experience” cards.

careers-game-board-1979

In this game, your specific career paths are limited to Big Business, Politics, Show Biz, Sports and Space; which sort of parallels the pop culture ideas of careers in the late 70’s. (More on that here.) Navigating the side trip career paths which offer the best possibilities for your self-created Success Formula is how you attempt to control your destiny. Want more money in your pocket? Try Sports (it apparently brings lots of Happiness too). Want pay raises? Try Big Business. Politics and Space bring the most Fame; Show Biz is one of the shortest career paths, but you can find some Money and Happiness there too. But it won’t be easy…

Not only must you rely on the roll of the dice to bring you to your hopeful career path, the luck of Opportunity Knocks cards, and avoid the treachery of not only spaces but other player’s actions “bumping” you into Unemployment, but you will need to pay your way into each career, have the proper college degree &/or work experience to get into each career. Since Derek had some poor luck of the dice early on, he was unable enter any careers for quite awhile, forcing him to stay on the outside tack and pay taxes etc., prompting hit to comment that this game was a lesson in “no matter how hard you try, if you don’t start with enough money, you’re doomed.”

Real life? Meh. I’m more of an optimist.

But then, I did win.

We think.

Seems Derek, the one reading the instructions, misunderstood the difference between “Money” and “Pay” on the score pads, resulting in the mistaken notion that your Pay needed to reach the same amount of Money in your equation (it doesn’t; Money equals cash you have in hand). So at that time, since I had gobs of money, I was declared the winner.

The irony of two Bohemian “creative types” screwing up the money component of the equation was not lost on us.

Overall, I think it’s a very cool game. But then, maybe my standards are low; I just love board games & when they are “old” I’m twice as happy to play them.

The game has many variations (you know I looked ’em all up!), some of which are very cool; others nauseating. The worst of which came in 1990 when Parker Brothers thought a hot pink pandering Careers for Girls board game would profit big time.

careers-for-girls-1990

The career paths girls could travel in this game were schoolteacher, rock star, fashion designer, college graduate, supermom, and animal doctor. And the game’s strategy was greatly simplified — because females can’t be bothered by adhering to strategy; we’re restricted to the whims of our biology, emotional whims, and itty-bitty brains. (Heck, we don’t even know what a veterinarian is; we use “animal doctor.”) So, to keep us entertained and flushed as pink as the game’s box, players were asked to perform dopey things like “Describe your dream husband” & “Show us how you dance with your main squeeze.”

When Susan Engeleiter, head of the U.S. Small Business Administration, caught wind of this game, she knew it was more than hot air — it came from Parker Brother’s derrière. This is how she responded:

Engeleiter said she was amazed the game didn’t include such careers as business executives, government leaders, astronauts, scientists or moms without the prefix “super.” “Parker Brothers is sending the wrong message to young girls,” she said. “Even Barbie dolls come with business suits these days.” Then she added, “I am raising my daughter to believe there are no limits on career choices for women. If the Parker ‘Brothers’ were the Parker ‘Sisters’ this game would never have passed ‘Go.'”

In response, Parker Brothers’ spokeswoman (note: that’s not company “super spokeswoman”) Patricia McGovern stressed the game is purely for entertainment and “is certainly not to communicate that only certain careers are limited to women,” adding that the game was designed by a woman, art was managed by a woman and the product manager was a
woman. (No word on how many of those women threw-up Pepto-Bismol, hence the game’s profuse pinkosity.)

But you know what? I want them all the versions of this game — including the nauseating “girls version,” because it’s part of our history. Let’s hope I can find the other versions of this game at my local thrift stores.